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Battles | Gloss Drop
CD Reviews
M83
Digital Shades, Vol. 1 | Mute
By
RICHARD BECK
|
December 26, 2007
M83, DIGITAL SHADES VOL. 1
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2.0
Stars
Having carved out a comfortable niche as masters of breathless, elegiac, synth-based pop, the French duo M83 (Anthony Gonzalez and Nicolas Fromageau) do something unexpected on
Digital Shades, Vol. 1
, diving headlong into ambient music. Clocking in at just over 35 minutes, the disc is a collection of not-quite-fleshed-out sketches rather than detailed soundscapes ready for prime time. That may work for noise punk, but it doesn’t here. The album’s title could be read as an oblique reference to Aphex Twin’s ambient masterpiece
Selected Ambient Works, Vol. II
, which succeeded thanks to Richard D. James’s ability to modulate a stable foundation of sounds over spans of seven or eight minutes, with unexpected twists and turns around every corner. But Gonzalez and Fromageau create soundscapes that simply glide along for a few minutes and then abruptly end. The sounds they generate are pretty enough, but they never lead anywhere.
Related
:
He loves the ’80s
,
Teenage kicks
,
M83: Saturdays = Youth
,
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He loves the ’80s
“My relationship to the music of the ’80s is very genuine. There’s no irony to it.”
Teenage kicks
Gonzalez and Kibby humped their machines in unison as if the devices were all that stood between them and some serious Dionysian revelry.
M83: Saturdays = Youth
Saturdays = Youth is M83’s version of a high-school yearbook — aural snapshots documenting gilded angsty awkwardness in all its glory.
Ozric Tentacles
This is one of the best tickets to intra-cranial space travel since the heyday of Yes and Tangerine Dream.
Of beats and beatitude
What the hell happened to ambient music?
Celebrating the blues
The seed of a new festival in Providence has begun to germinate, thanks to Mark Millof.
Various Artists | Pop Ambient
It'd be easy to understand a resistance to "ambient" music — beyond all of its unfortunate Enya and dusty Eno connotations.
Cold remedies
One suspects all colds are terrible in the world of Stephin Merritt.
Fripp + Eno
This collection of odds and sods isn’t exactly your father’s ambient music, though guitarist Robert Fripp and keyboardist/sonic sculptor Brian Eno are certainly the genre’s papas.
Space cases
Perhaps it’s something in the air, but in the last year or so it seems that Boston’s experimental outer limits has seen an analog-synthesizer renaissance.
Dinosaur rock
Hooray for Earth singer/guitarist Noel Heroux spends so much time at his band’s Allston rehearsal space, you could imagine he practically lives there. And in fact he does, sleeping on an air mattress among broken guitar parts and empty beer cans. Hooray for Earth, "Simple Plan" (mp3)
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ARTICLES BY RICHARD BECK
PLUCK AND DETERMINATION
| March 09, 2010
People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
SONG OF HERSELF
| August 05, 2009
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
DJ QUIK AND KURUPT | BLAQKOUT
| June 15, 2009
LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
FLIPPER | LOVE
| May 26, 2009
Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
ST. VINCENT'S ACTOR GETS A RUN-THROUGH
| May 26, 2009
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
See all articles by:
RICHARD BECK
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