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CD Reviews
Jill Aigrot
Words of Love | LML Music
By
JEFFREY GANTZ
|
March 4, 2008
JILL AIGROT, WORDS OF LOVE
" alt="photo of 'JILL AIGROT, WORDS OF LOVE'">
2.5
Stars
Is Jil Aigrot, as the publicity buzz would have it, “the voice of Piaf in
La vie en rose
[original title
La môme
],” the Olivier Dahan–directed Edith Piaf bio-pic whose star, Marion Cotillard, just won the Best Actress Oscar? Yes and no. The better-known songs you hear in
La môme
— notably “Non je ne regrette rien” — are taken from Piaf recordings. Where there was not a usable recording of a Piaf song — notably early on, when she’s singing on the street and auditioning for Louis Leplée — Aigrot fills in. This is not a
La môme
soundtrack, but it is an album of Piaf songs (including “Les flonflons du bal,” “La goulante du pauvre Jean,” and “Non je ne regrette rien” but not “Padam” or “Milord” or “Sous le ciel de Paris” or “La vie en rose”), backed by accordion and piano and sung in a voice much like Piaf’s but sweeter and less guttural, with less of the gutter. Enjoyable, but it’s not as if the real thing weren’t available. There’s no CD booklet, and in her acknowledgments, Aigrot thanks Olivier
Gahan
.
Tant pis
.
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Less
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Entertainment
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,
Edith Piaf
,
More
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Entertainment
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,
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,
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,
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,
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ARTICLES BY JEFFREY GANTZ
EMMANUEL MUSIC'S B-MINOR MASS; LEXINGTON SYMPHONY'S DEBUSSY AND HOLST
| October 03, 2011
Johann Sebastian Bach wasn't the first composer to recycle previous material, but he might have been the first to put together his own greatest-hits album.
JORDI SAVALL AND THE BOSTON EARLY MUSIC FESTIVAL ORCHESTRA
| June 17, 2011
"The Celtic Viol" — the title of the Boston Early Music Festival concert Catalan gambist Jordi Savall gave yesterday evening at Jordan Hall — looks like an oxymoron, since Irish and Scottish music is almost by definition traditional and popular and the viol is associated with "serious" early classical music.
REVIEW: JIG
| June 16, 2011
Sue Bourne's documentary about Irish stepdancing in general and the 2010 Irish Dance World Championships in particular treads a formulaic path.
THE BOSTON EARLY MUSIC FESTIVAL EXHIBITION
| June 17, 2011
What with the operas and the big-name visitors and the demonstrations and mini-classes and workshops and symposia and society meetings, to say nothing of the Early Music America Conference and Young Performers Festival, it would be easy to overlook the Boston Early Music Festival's Exhibition.
LARISSA PONOMARENKO BOWS OUT
| May 26, 2011
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See all articles by:
JEFFREY GANTZ
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