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Battles | Gloss Drop
CD Reviews
Kevin Ayers
Unfairground | Gigantic
By
GUSTAVO TURNER
|
April 7, 2008
KEVIN AYERS, UNFAIRGROUND
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3.0
Stars
Ayers, a founding member of Soft Machine, left after one album, before the group mutated into a ’70s prog-jazz behemoth. He then crafted several minor solo masterpieces that found common ground with the Velvet Underground and Burt Bacharach, coming on like a naughty schoolboy channeling Maurice Chevalier.
Unfairground
is the result of Ayers’s recent “comeback” sessions, which were spearheaded by younger acolytes — members of Teenage Fanclub and Ladybug Transistor — with the help of old friends Robert Wyatt, Bridget St. John, and Phil Manzanera. The production embeds Ayers’s celebrated croon within a compendium of psych-pop revival sounds from the last 15 years, from Calexico-style trumpets to blatant Beatlesque gestures (the Mellotron that introduces “Friends and Strangers”), John Barry flourishes (“Wide Awake,” with brass accents by Architecture in Helsinki), and the wall of Beach Boys harmonizing that closes the album. The skewed sea chanty “Brainstorm” even features former members of the Elephant 6 collective. Ayers is still exploring his usual themes — regret, desire, escape, and the pleasures and pitfalls of attempting to live a chilled-out life in a fast-spinning world. His philosophizing is rarely twee, and his fine-oaked voice gives new authority to his pastis-and-mushroom-fueled musings.
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The best guitarists can always be recognized by their sound, even if they spend their careers swapping amps, effects, or instruments.
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As the next 10 songs in this cryptic gothic fairy tale unreel, she experiences a drug-induced nightmare, a moon tide of guilt, and, seemingly, death.
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The sweetest instrument is Wyatt’s voice, whose fragile, high, quavering tone is honest to the core.
Magic Numbers
The Magic Numbers are throwbacks to a time when pop was lighter than air.
Flaming out
Elvis Costello’s My Flame Burns Blue (Deutsche Grammophon) disappoints me. I don’t mean critically as much as personally.
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For trend seekers, Different Voices, a showcase for this year’s Bates Dance Festival’s visiting choreographers, hinted at several directions for contemporary dance.
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CD Reviews
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,
John Barry
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Bridget St John
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Maurice Chevalier
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Phil Manzanera
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Robert Wyatt
,
Architecture in Helsinki
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The Beach Boys
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| March 16, 2010
Just a few weeks after we reviewed the belated release of African Head Charge's latest, another, more recent gem from the always rewarding sonic laboratory of Adrian Sherwood arrives.
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| February 09, 2010
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GUSTAVO TURNER
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