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Battles | Gloss Drop
CD Reviews
The Breeders
Mountain Battles | 4AD
By
MICHAEL BRODEUR
|
April 29, 2008
THE BREEDERS, MOUNTAIN BATTLES
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2.5
Stars
A big part of maintaining a lasting, fruitful relationship with the Breeders is acceptance. You’re not going to get too far pining for Josephine Wiggs or Tanya Donnelly or that drummer with the serious tube socks to show up again. By now it’s unrealistic to expect vestigial Pixies characteristics, and it’s downright unfair to demand the same feather-light rasp from Kim Deal’s chimney. In other words, there will be no future
Pod
, and
Last Splash
was just that. The uncertainty of sound and spirit that characterized 2002’s
Title TK
is still palpable — but that’s not to shortchange uncertainty. If anything, this time around, the Breeders sound more comfortable with no prescription (no mean jab intended); when Kim Deal diversifies her portfolio with the Spanish-sung “Regálame Esta Noche,” or the (you guessed it) German-sung “German Studies,” or the ecstatically repetitive opener, “Overglazed,” or the porchy hoedown of “Here No More,” it often amounts to silly, albeit highly satisfying, dabblings. It’s reasonable, given the variety of their back catalogue, to hope that the Breeders never commit to any given motif — but there’s a fine line between a fearless band testing several fresh approaches and a piecemeal album that has you longing for the glories of “Glorious.”
Related
:
loudQuietloud: A Film About The Pixies
,
Raw deals
,
Rock, stop, and bop
,
More
loudQuietloud: A Film About The Pixies
Steven Cantor and Matthew Galkin followed the Pixies on their when-pigs-fly reunion tour in 2004, and their perceptive documentary is a must-see for fans. Watch the trailer for loudQuietloud: A Film About The Pixies (QuickTime)
Raw deals
How could I ever think that Kim and Kelley would let me down?
Rock, stop, and bop
This article originally appeared in the August 19, 2005 issue of the Boston Phoenix .
Documentary evidence
The Pixies have always been an electric band.
Oddballs and noisemakers
Twenty years ago, the American Top 40 was nothing like Boston’s live music scene.
Boston boy
For a brief moment recently, Brian Sullivan’s musical career came full circle.
The 40 greatest concerts in Boston history: 17
The Pixies | Paradise Rock Club | August 8, 2005
Short and self-titled
People might debate the artistic and moral value of American Idol as the final rounds approach, but is there anyone on earth who can’t get with the opening round tryouts?
You're the inspiration
Local legends touched by the Muses
At home with home
Women may dominate the pop charts from time to time, but in the annals of acknowledged rock/pop greatness, they are few in number.
Post-punk pantheon
They were, by definition, misfits.
Less
Topics
:
CD Reviews
,
Kim Deal
,
Tanya Donnelly
,
THE BREEDERS
|
More
ARTICLES BY MICHAEL BRODEUR
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| June 07, 2010
We may seem a little cranky, but us local gayfolk just love a parade, and we’re actually heartened by this annual influx of brothers and sisters from every state of New England and every letter of our ever-expanding acronym.
THE NEW GAY BARS
| June 02, 2010
If I may channel the late, great Estelle Getty for a moment: picture it, Provincetown, 2009, a dashing young man with no discernible tan and an iffy T-Mobile signal languishes bored upon the sprawling patio of the Boatslip Resort.
ARIEL PINK’S HAUNTED GRAFFITI | BEFORE TODAY
| June 01, 2010
If the gradual polishing of Ariel Pink’s sound — and it’s not all that much more polished — puts his loyalists at odds with his albums, I count that as good news.
MORE THAN HUMAN
| May 26, 2010
It’s hard to talk about Janelle Monáe when your jaw’s fallen off.
See all articles by:
MICHAEL BRODEUR
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