The Phoenix Network:
The Phoenix
Boston
|
Portland
|
Providence
STUFF Boston
WFNX
Live Radio
|
On Demand
Tu Boston
About
|
Advertise
Moonsigns
|
Band Guide
|
Blogs
|
In Pictures
Music
Big Hurt
|
CD Reviews
|
Classical
|
Jazz
|
Live Reviews
|
Music Features
See all in CD Reviews
Battles | Gloss Drop
CD Reviews
The Roots | Rising Down
Def Jam
By
RICHARD BECK
|
May 12, 2008
THE ROOTS, RISING DOWN
" alt="photo of 'THE ROOTS, RISING DOWN'">
2.5
Stars
Following 2002’s
Phrenology
, a stylistically schizophrenic album that left no pop-musical stone unturned, the Roots adopted the principle of addition by subtraction, and on
Rising Down
that ethos has reached a kind of logical conclusion. Drummer Amir “?uestlove” Thompson’s vision of political despair makes for some unrelentingly bleak shit: paranoid, roiling bass lines, ferocious breakbeat attacks, and little else. Black Thought, working with a team of guest MCs that includes Talib Kweli and Saigon, is as technically skilled as always, even if he does have a tendency to state the obvious. (What’s that you say? Global warming is bad?) For all their well-placed anger, these rappers seem a little paralyzed. Sure they can evoke school shootings, substance addiction, and terrorism, but what to do with all that vivid description? Still,
Rising Down
is a grim mirror of a particular time and place, one that will still be worth the look when (if?) things get better somewhere down the line.
Related
:
Bubbling under
,
An abridged history of the Roots' collabs
,
They get ill
,
More
Bubbling under
Ahmir Khalib Thompson, ?UESTLOVE to his fans, is one of the most accomplished drummers in pop music, but he’s also a deft DJ with a selection that will take your breath away. Red Bull Music Academy lecture session with ?uestlove (podcast mp3)
An abridged history of the Roots' collabs
Collaborations
They get ill
Jocko Henderson, Lady B, Schoolly D, Jazzy Jeff, and The Roots
The making of the Roots-versus-Antibalas Sound Clash
We're not previewing the Red Bull Sound Clash just because the buzz-beverage overlords supply Phoenix headquarters with enough voltage to paralyze a petting zoo.
Keepin' it real
As I was walking up to Avalon a week ago Tuesday to see the Roots, a group of college kids crossed the street in front of me sporting backwards hats and puffy vests.
No success like failure
The wild, idle guessing game over the Roots’ Game Theory and OutKast’s Idlewild is finished.
The Roots
Philadelphia’s the Roots first became known as hip-hop’s consummate contrarians, playing jazzy grooves on live instruments (no samples allowed) and waxing poetic about their distaste for the commercial mainstream.
The live rap album
December is the time of year when the new album well dries up and gives way to a deluge of novelty releases.
Beyond Dilla and Dipset
With a semi-sober face I'll claim that hip-hop in 2010 might deliver more than just posthumous Dilla discs, Dipset mixtapes, and a new ignoramus coke rapper whom critics pretend rhymes in triple-entendres.
The Roots | Undun
The year was 1999, and the Roots were entering a cool-kids club thanks to the release of Things Fall Apart .
Photos: Grizzly Bear at Berklee
Grizzly Bear, live at Berklee Performance Center, June 3, 2009
Less
Topics
:
CD Reviews
,
Entertainment
,
Hip-Hop and Rap
,
Music
,
More
,
Entertainment
,
Hip-Hop and Rap
,
Music
,
Talib Kweli
,
Tariq "Black Thought" Trotter
,
Questlove
,
The Roots (Musical Group)
,
the roots
,
Less
|
More
ARTICLES BY RICHARD BECK
PLUCK AND DETERMINATION
| March 09, 2010
People have always thought that Joanna Newsom was indulgent. At first, it was about her voice — the kind of nasal yelp that usually keeps a performer from getting on stage at all. Then, on her second album, it was about her vocabulary and her instrumentation.
SONG OF HERSELF
| August 05, 2009
"Listen, I will go on record saying I love Feist, I love Neko Case. I love that music. But that shit's easy listening for the twentysomethings. It fucking is. It's not hard to listen to any of that stuff."
DJ QUIK AND KURUPT | BLAQKOUT
| June 15, 2009
LA hip-hop has two threads, and DJ Quik pulls both of them. The first is g-funk, a production style that relies on deep, open grooves and an endless parade of funk samples.
FLIPPER | LOVE
| May 26, 2009
Flipper formed in San Francisco in 1979, and they're remembered three decades later because of a song called "Sex Bomb" that's one of the funniest pieces of music I've ever heard.
ST. VINCENT'S ACTOR GETS A RUN-THROUGH
| May 26, 2009
There were not one but two clarinets on stage at the Somerville Theatre on Tuesday night, and that gives you some idea of how intricate Annie Clark's chamber-pop compositions can be.
See all articles by:
RICHARD BECK
LATEST SLIDESHOWS
PHOTOS: NATO demonstrations in Chicago
Photos: The Fringe at the Boston Conservatory Theater
All Slideshows
Featured Articles in CD Reviews
:
Zambri | House of Baasa
Beach House | Bloom
Santigold | Master Of My Make-Believe
Jack White | Blunderbuss
Alabama Shakes | Boys & Girls
|
Sign In
|
Register
thePhoenix.com:
Home
Listings
Editor's Picks
News
Music
Film + TV
Food + Drink
Life
Arts
Rec Room
Video
Phoenix Media/Communications Group:
Boston Phoenix
Portland Phoenix
Providence Phoenix
STUFF Boston
WFNX Radio
People2People
MassWeb Printing
G8Wave
About Us
Contact Us
Privacy Policy
Advertise With Us
Work For Us
Sitemap
RSS
Mobile
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group