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Battles | Gloss Drop
CD Reviews
Elvis Costello and the Imposters
Momofuku | Lost Highway
By
ZETH LUNDY
|
May 12, 2008
ELVIS COSTELLO, MOMOFUKU
" alt="photo of 'ELVIS COSTELLO, MOMOFUKU'">
2.5
Stars
Elvis Costello’s transition from angry young man to grumpy old man was nearly complete late last year when, in reaction to the piecemeal experience of the digital age, he entertained the notion of never ever recording another album. Then he decided that he would record another album, but that it would be released on vinyl only. Such extremism is quaint but impractical, and so
Momofuku
— recorded off-the-cuff during one week in LA with the Imposters and Rilo Kiley’s Jenny Lewis, Johnathan Rice, and pedal-steel player “Farmer” Dave Scher on backing vocals — is now available in all formats. That’s just as well, because its lasting gimmick is its rock-and-roll spontaneity, not its method of delivery. Sure, Costello’s flubbed lines are left intact and the album’s mixes can be wildly uneven, but missed perfections make for a pretty riveting whole. The simplest songs (“Go Away,” “Drum & Bone”) fare best in the unstructured environment; pastiches of bossa nova (“Harry Worth”) and cabaret (“Mr. Feathers”) offset the barrage of roots-tinged rock. As far as raw rock goes, Costello splits the difference: “American Gangster Time” suffers from an absence of melody but “Stella Hurt” wraps its hook in a wicked bootstomp riff. “I’m a limited primitive kind of man,” Costello sings in “Drum & Bone,” and for better and worse, that’s the truth.
Related
:
Elvis Costello | Secret, Profane and Sugarcane
,
Buzz not loud enough for Burnett's spectacular 'Speaking Clock Revue'
,
Review: Elvis Costello | National Ransom
,
More
Elvis Costello | Secret, Profane and Sugarcane
There are few genres into which Elvis Costello hasn't delved over the years, but he's always seemed particularly comfortable within the traditional back-porch country that occupies this latest session.
Buzz not loud enough for Burnett's spectacular 'Speaking Clock Revue'
Supposed they gave a splashy benefit show and almost nobody knew about it? This appeared to be the case when artist/producer T Bone Burnett brought his "Speaking Clock Revue" to the Wang Theatre over the weekend.
Review: Elvis Costello | National Ransom
Back in the late '70s and early '80s, Elvis Costello would plot his cosmic knowledge of music history into his own songs, as if they were booty for like-minded music geeks.
Grupo Esperanza bids farewell
After eight years of being one of the most in-demand party bands in town, GRUPO ESPERANZA have just one last show left in them: April 1 at the Empire. People looking for a working band, starting practicing your Latin beats.
Photos: Elvis Costello + Head & the Heart at the Newport Folk Festival
Elvis Costello and Head & the Heart perform at the Newport Folk Festival on July 31, 2011.
Straight Man Versus Jokerman
Those expecting a night of Sinatra-style duets when Bob Dylan and Elvis Costello shared the bill at the DCU in Worcester were sorely disappointed.
Elvis Costello and Allen Toussaint
Elvis Costello long ago established himself as the best songwriter of his generation.
On the Racks: June 6
David Lee Roth, AFI, Cheap Trick, Camera Obscura, Elvis Costello, and Live
Flashbacks: March 3
These selections, culled from our back files, were compiled by Chris Brook and Jessica McConnell.
Flaming out
Elvis Costello’s My Flame Burns Blue (Deutsche Grammophon) disappoints me. I don’t mean critically as much as personally.
Bonus rounds
How long before this year’s This Year’s Model becomes last year’s This Year’s Model ?
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ARTICLES BY ZETH LUNDY
SUN KIL MOON | AMONG THE LEAVES
| May 22, 2012
The first thing you'll notice about Mark Kozelek's fifth LP as Sun Kil Moon are song titles that would give Morrissey a boner.
THE FIGGS | THE DAY GRAVITY STOPPED
| May 15, 2012
These days Mike Gent, Pete Donnelly, and Pete Hayes are involved in enough extracurricular activities (Graham Parker, NRBQ, countless side/session-men gigs) that you could hardly blame them if they closed their two decades-plus Figgs chapter.
BILLY BRAGG + WILCO | MERMAID AVENUE: THE COMPLETE SESSIONS
| May 01, 2012
In 1998, and again in 2000, English singer-songwriter Billy Bragg teamed up with Wilco— not yet on their post-Americana trip — to put unreleased Woody Guthrie lyrics to music.
RUFUS WAINWRIGHT | OUT OF THE GAME
| April 24, 2012
Out of the Game is being billed as the most "pop" album of Rufus Wainwright's career, which is to say that it dismisses many of his trademark classical and/or stagey affinities.
THE DANDY WARHOLS | THIS MACHINE
| April 17, 2012
The title of the Dandy Warhols' eighth record may be a Woody Guthrie allusion, but don't fret — the closest the Portland, Oregon, band get to politics here is a cover of Merle Travis's "16 Tons."
See all articles by:
ZETH LUNDY
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