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Battles | Gloss Drop
CD Reviews
Nobody
Blank Blue: Western Water Music Vol. II | Ubiquity
By
GUSTAVO TURNER
|
June 3, 2008
NOBODY
" alt="photo of 'NOBODY'">
4.0
Stars
In 1966, Brian Wilson heard
Rubber Soul
and flipped. He coped by recording
Pet Sounds
and unleashing a sound that would cast a spell over ambitious studio musicians the world over. Now into its third decade, the influence of what Wilson heard in his head shows no signs of fading. Witness the continuing adventures of Nobody, the
nom de production
of California cratedigger Elvin Estela. His latest concept suite, a collaboration with fellow record nerd Niki Randa on vocals, is the second installment in the
Western Water Music
series he began with 2003’s
Pacific Drift
.
Blank Blue
is a post-apocalyptic scenario in which hip, evolved Californians have seceded from all square and intense points east of them and are living underwater on mushrooms. It’s the Monkees’ “Porpoise Song” (a track Nobody has covered) expanded into a full-blown stoner opera sponsored by DJ Shadow and the ghost of J Dilla. Having traveled from Todd Rundgren and Fleetwood Mac’s
Tusk
to the full-blown ’90s revival of the High Llamas and the Wondermints, Wilson’s pet sounds of lush reverie tinted with longing and disappointment here fuse with other scenes (abstract hip-hop, spacy folk, neo-prog) in the current brain-melting pot that is contemporary hipster LA. The good news: they sound as good and fresh as ever.
Related
:
The power of pop!
,
Something for everybody
,
Heart
,
More
The power of pop!
Dashing down the corridors of the hallowed power pop pantheon comes Minky Starshine and the New Cardinals, Providence’s latest, and perhaps most intermittent, aspiring hitmaker.
Something for everybody
As that great philosopher Brian Wilson once observed, summer means fun.
Heart
Heart are fast becoming the world’s best classic-rock cover band.
Hanging ten or hanging on?
This article originally appeared in the April 26, 1977 issue of the Boston Phoenix.
The erstwhile Beach Boy
Brian Wilson may have spent a few years in bed, but he’s been up and about for the last few years.
Boys of summer
When Watertown novelist Mike Heppner needed a “spiritual guide” for his New England-set novel Pike’s Folly , he fictionalized the Beach Boys’ reclusive genius Brian Wilson.
Brian Wilson
Brian Wilson and his karaoke-smooth backing band the Wondermints have instead given us something on par with 1970s Beach Boys.
Flashbacks: October 6, 2006
These selections, culled from our back files, were compiled by Dan Peleschuk, Ian Sands, and Eva Wolchover.
Rock and roles
A good number of the jokes in Walk Hard: The Dewey Cox Story are available for your amusement right now, well ahead of the film’s December 21 theatrical-release date.
Nurse with Wound
This is cinematic pastiche at its best, similar to Barry Adamson’s phantasmal scores but with the dada knob tweaked way to the right.
Koushik | Out My Window
Although unshy about his background, he’s a subtle arranger, reluctant to play the Bollywood card (there’s not even a teaspoon of Asha).
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ARTICLES BY GUSTAVO TURNER
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| March 16, 2010
Just a few weeks after we reviewed the belated release of African Head Charge's latest, another, more recent gem from the always rewarding sonic laboratory of Adrian Sherwood arrives.
JOE CUBA | EL ALCALDE DEL BARRIO
| March 09, 2010
Fania kicks off 2010 with what is sure to end up being one of the year's most important archival releases of Latin music.
ALEJANDRO FRANOV | DIGITARIA
| March 03, 2010
Alejandro Franov is an Argentine multi-instrumentalist who's been involved in the more serious, and often experimental, side of the Buenos Aires music scene since he was a teen in the late 1980s.
THE SOULJAZZ ORCHESTRA | RISING SUN
| February 23, 2010
We're living in the middle of a veritable renaissance of "Spiritual Jazz."
AFRICAN HEAD CHARGE | VISION OF PSYCHEDELIC AFRICA
| February 09, 2010
UK dub guru Adrian Sherwood and adventurous percussionist Bonjo I have been releasing their sonic experiments as African Head Charge since the early 1980s.
See all articles by:
GUSTAVO TURNER
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