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Battles | Gloss Drop
CD Reviews
Scorch Trio
Brolt! | Rune Grammofon
By
DEVIN KING
|
June 17, 2008
SCORCH TRIO, BROLT!
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3.0
Stars
My girlfriend says the first song, “Olstra,” sounds like Santana Shreds (YouTube it), and I can’t disagree — distorted electric guitar played in a jazz context immediately calls to mind wincing dudes with a few buttons undone. But! The three players have earned their stereotypes — guitarist Raoul Björkenheim has been playing since the early ’80s, and the rhythm section of Ingebrigt Håker Flaten (bass and electronics) and Paal Nilssen-Love (drums) has been playing steadily for the last 15 years in and around the New York, Chicago, and Norwegian jazz scenes. Full! Fusion! Freakouts! abound, but the three engage in patient explorations of their playing techniques when they get tired of funkengroovin. On “Gaba,” Björkenheim creates an incredibly delicate harmonic texture by what sounds like simply scraping his strings with a pick. “Bluring” [
sic
] follows, and suddenly Nilssen-Love is playing at his fullest again. This time Björkenheim carries on underneath with accommodatingly clean chords while Flaten creates the white noise of a radio receiver (though it could be vice versa — it’s hard to tell). These three are unafraid to jump into new sounds, even if the beginnings are a bit silly.
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Women initially sound like most Beach Boys- or Kinksinfluenced bedroom pop.
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CD Reviews
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Devin King
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SCORCH TRIO
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ARTICLES BY DEVIN KING
FATHER MURPHY | ... AND HE TOLD US TO TURN TO THE SUN
| July 29, 2009
Harking back to an America where one's own lonely voice was the only radio and a BBQ meant a spit in the middle of the desert, Torino's Father Murphy hide detuned industrial textures within stripped-down, spacy folk instrumentation, like a man in a black hat picking up a bullet-riddled guitar with which to serenade his captives.
SOUNDCARRIERS | HARMONIUM
| May 27, 2009
The first album from this Nottingham-based band is California dippy: whispered female/male harmonies, slack flutes, swinging drums, comping Hammond organs, and a bass player who finds basic funk riffs in every progression.
THE MOVING PICTURES
| May 12, 2009
If one way that bands tie themselves to the past is through sonic reference — Fleet Foxes calling forth Crosby, Stills and Nash, or Animal Collective channeling the Grateful Dead — then there's been a number of bands who tie themselves to the past through cultural reference.
VARIOUS ARTISTS | OPEN STRINGS: 1920S MIDDLE EASTERN RECORDINGS
| May 06, 2009
Over the past year, Honest Jon's has released three compilations culled from more than 150,000 78s of early music from the EMI Hayes Archive: music from 1930s Baghdad, early West African music recorded in Britain, and a more general compilation that moved across country lines and the first half of the 20th century.
PAPERCUTS | YOU CAN HAVE WHAT YOU WANT
| April 14, 2009
Hidden under reverb and aggressive analog production, the first sung lyrics on You Can Have What You Want belie what seems to be a cheery record title: "Once we walked in the sunlight three years ago this July."
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