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Battles | Gloss Drop
CD Reviews
Judas Priest
Nostradamus | Epic
By
DANIEL BROCKMAN
|
June 17, 2008
JUDAS PRIEST, NOSTRADAMUS
" alt="photo of 'JUDAS PRIEST, NOSTRADAMUS'">
3.5
Stars
This 23-song, 104-minute double-CD behemoth is distinctive in the Priest œuvre for, among other things, being the first of their albums that you listen to and don’t think, “Wow, how could I have not figured out before that Rob Halford is gay?!” For all that moments hark back to, say, the more epic tracks on
Sad Wings of Destiny
and
Painkiller,
the operatic grandeur and the way the cuts all flow into one another make this album an anomaly of pomp previously unheard in the JP catalogue. If Priest have always been the Stones to Iron Maiden’s Beatles, then this is the band’s
Their Satanic Majesties Request
(though in scope and lyrical focus it’s closer to Genesis’s
The Lamb Lies Down on Broadway
): a concept album about the life of Nostradamus that’s as straightforward, in its lyrics, as Maiden’s “Alexander the Great.” Am I making
Nostradamus
sound lame? Don’t mean to: it’s a ridiculous album, sure, but take
Defenders of the Faith
, replace the Metallion with Nostradamus, double the number of awesome riffs, add the occasional pan flute and symphonic embellishments, and you have the most grandiose metal record likely to be released this year.
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Anyone familiar with Wagner's œuvre with the Raveonettes (who come to the Paradise next Thursday) should be surprised by the idea that, having created something awesome, he's ready to move on to something different.
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ARTICLES BY DANIEL BROCKMAN
RAZORMAZE ADDS FOCUS TO THEIR THRASH
| May 15, 2012
For a kind-of goofy metal dude, Alex Citrone is pretty serious — especially when he talks metal, and especially when he's talking about his band, Boston shred titans Razormaze.
ZAMBRI | HOUSE OF BAASA
| May 15, 2012
For those of us of a certain age who remember when school dances had a strict four-fast-songs-then-one-slow-one policy, the memory of bouncing around to "Let's Hear It for the Boy" with the anticipation of "One More Night" or "Take My Breath Away" still makes our palms sweat with hormonal anxiety.
CONFRONTING THE SWEDISH GLOOM OF IN SOLITUDE
| May 08, 2012
When I am finally able to get through to the cell phone of In Solitude's tour manager, they have emerged from a massive dust cloud, their metal-mobile finding civilization after a long spell traversing the deserts of Arizona with no idea where they are going.
[R.I.P.] ADAM YAUCH AND THE BEASTIE BOYS
| May 08, 2012
ADAM YAUCH, a/k/a MCA, was likely inspired to pen those words, that appear in a tossed off couplet in the middle of what would wind up being one of the band’s final singles, by his immersion in the world of illness.
INTERVIEW: SIMON REYNOLDS TRIES TO LOOK FORWARD
| April 24, 2012
Quick, try to think of futuristic music that has nothing to do with the music of the past. Can't do it?
See all articles by:
DANIEL BROCKMAN
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