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Battles | Gloss Drop
CD Reviews
All You Need is Love
Voiceprint
By
JEFF TAMARKIN
|
July 1, 2008
ALL YOU NEED IS LOVE
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4.0
Stars
By way of putting into perspective the scope of Tony Palmer’s five-disc, 17-part, nearly 15-hour documentary on the history of popular music, let me note that rock and roll doesn’t get its due till Episode 13. By that time, British documentarian Palmer has already surveyed jazz, country, blues, vaudeville, protest songs, Tin Pan Alley, and more. With each disc concentrating on a single area, the series — which was made in 1976, before punk, hip-hop, or Britney — has plenty of time to delve. “The Beginnings” tracks the rise of popular song from Africa through Europe and ahead to ragtime, blues, and gospel. The raw, pre-’60s black music, notes Atlantic Records executive Jerry Wexler, was unappealing to suburban white girls, but come the British Invasion they “could now listen to the Beatles singing a Big Bill Broonzy song and find it quite acceptable because the sexual image that this song was suggesting would be perfectly safe.” Or maybe not: in Episode 15, inexplicably dubbed “Sour Rock,” Eric Burdon of the Animals says, “We just wanted to ball every chick in sight . . . and have a continual party.” Although the narration tends toward the droll (it’s British, remember), the edits are often jarring, and the last couple of episodes overestimate the lasting impact of progressive and glitter rock, the set — with plenty of rare performance footage — is never less than fascinating and informative.
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More than a feeling
The centerpiece of the Museum of Fine Arts' "Contemporary Outlook: Seeing Songs" is Candice Breitz's 2005 Queen (A Portrait of Madonna), a wall of 30 televisions, each showing a different Madonna fan singing a cappella to her 1990 greatest-hits compilation, The Immaculate Collection. They wear headphones, bob their heads, sing aloud to music we can't hear.
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Surely the Interpol dick-riding will end soon, yes?
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Feel, feel for Sir Paul McCartney.
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There is no place hotter in the media lately than South Carolina, "The Cracker State," whose logo is still essentially the Confederate flag.
Oddballs
Even if they had closed up shop 15 years ago, the Residents would go down as some of rock's most prolific pranksters. They aped the Beatles on their 1974 debut, Meet the Residents , tormented short attention spans with 40-minute songs on 1980's The Commercial Album , and skewered standards by everyone from James Brown to John Philip Sousa along the way.
Various Artists, GREAT LOST ELEKTRA SINGLES, VOLUME 1 | Collector’s Choice
Long before inflicting Staind on the world, Elektra was a genuinely eclectic label, home to dozens of oddball bands who shared a post-folkie, acid-Beat sensibility.
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ARTICLES BY JEFF TAMARKIN
NEW YORK DOLLS | DANCING BACKWARDS IN HIGH HEELS
| March 17, 2011
The new New York Dolls have now been around longer - and released more albums (three) - than the old New York Dolls, and they're commemorating that new longevity by letting go of any compulsion they may have still harbored to honor their designation as "punk-rock progenitors."
BLACK JOE LEWIS & THE HONEYBEARS | SCANDALOUS
| March 09, 2011
The soul revival has been going on long enough now that maybe it's a not a bad idea to stop calling it a revival at all.
BRYAN FERRY | OLYMPIA
| October 19, 2010
From the Kate Moss cover pic to the A-list of guest stars to the reunion with original Roxy Music members Brian Eno, Phil Manzanera, and Andy Mackay, Olympia screams, "EVENT!"
OLD 97'S | THE GRAND THEATRE
| October 12, 2010
When Old 97's are on — which they are most of the time on their eighth studio album — they're very, very on.
DAR WILLIAMS | MANY GREAT COMPANIONS
| October 05, 2010
The companions of the title are Dar Williams's songs, which the singer-songwriter revisits here two different ways.
See all articles by:
JEFF TAMARKIN
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