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CD Reviews
Love Story
Love Story | Start
By
JEFF TAMARKIN
|
July 22, 2008
LOVE STORY
" alt="photo of 'LOVE STORY'">
4.0
Stars
In 2003, two years after his release from prison on gun charges, Arthur Lee, the creative force behind the ’60s LA band Love, played a handful of concerts where he and his then-current band re-created
Forever Changes
, Love’s 1967 landmark album — a landmark that had peaked at #154 on the
Billboard
chart. The concerts were received rapturously, affirmation that, in the decades since the demise of Love, Lee and his crowning achievement had, despite a massive public shrug outside Los Angeles during their existence (due largely to Lee’s refusal to tour), taken on mythic proportions. It was enough to justify this nearly two-hour documentary chronicling the band’s brief but remarkable run. The 2003 concerts and Lee’s subsequent death are treated as footnotes, and that’s as it should be — the film remains absorbing as it arcs from the band’s formation to their signing to Elektra, the artistic growth spurts (their first three albums, culminating with
Forever Changes
, were all recorded in 1966-’67), and the inevitable crash amid rancor and hard drugs. Love were one of rock’s first interracial bands, and Lee’s genius as their chief songwriter, musician, and bandleader is reinforced here by former band members, label associates, and others — even those who’d left disillusioned at the time. Lee himself, in his final interview, comes off as articulate, level-headed, and introspective, qualities that must at times have eluded him during Love’s peak. “I was kind of spaced in those days,” he admits.
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This article originally appeared in the March 5, 1998 issue of the Boston Phoenix.
Fripp + Eno
This collection of odds and sods isn’t exactly your father’s ambient music, though guitarist Robert Fripp and keyboardist/sonic sculptor Brian Eno are certainly the genre’s papas.
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It’s an incongruous sight at first: Tom Morello strumming an acoustic guitar emblazoned with the words “Whatever It Takes.”
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Those of us too poor to make it down to Austin for last week’s SxSW festival were treated to a mini-showcase of some of indie rock’s strongest up-and-coming bands.
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ARTICLES BY JEFF TAMARKIN
NEW YORK DOLLS | DANCING BACKWARDS IN HIGH HEELS
| March 17, 2011
The new New York Dolls have now been around longer - and released more albums (three) - than the old New York Dolls, and they're commemorating that new longevity by letting go of any compulsion they may have still harbored to honor their designation as "punk-rock progenitors."
BLACK JOE LEWIS & THE HONEYBEARS | SCANDALOUS
| March 09, 2011
The soul revival has been going on long enough now that maybe it's a not a bad idea to stop calling it a revival at all.
BRYAN FERRY | OLYMPIA
| October 19, 2010
From the Kate Moss cover pic to the A-list of guest stars to the reunion with original Roxy Music members Brian Eno, Phil Manzanera, and Andy Mackay, Olympia screams, "EVENT!"
OLD 97'S | THE GRAND THEATRE
| October 12, 2010
When Old 97's are on — which they are most of the time on their eighth studio album — they're very, very on.
DAR WILLIAMS | MANY GREAT COMPANIONS
| October 05, 2010
The companions of the title are Dar Williams's songs, which the singer-songwriter revisits here two different ways.
See all articles by:
JEFF TAMARKIN
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