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Battles | Gloss Drop
CD Reviews
David Byrne and Brian Eno
Everything That Happens Will Happen Today | Self-Released
By
MICHAEL PATRICK BRADY
|
August 26, 2008
DAVID BYRNE AND BRIAN ENO, EVERYTHING THAT HAPPENS WILL HAPPEN TODAY
" alt="photo of 'DAVID BYRNE AND BRIAN ENO, EVERYTHING THAT HAPPENS WILL HAPPEN TODAY'">
3.5
Stars
Brian Eno and David Byrne have both entered the comfortable later stage of their careers, the one reserved for innovators with nothing left to prove. But
Everything That Happens Will Happen Today
is a reminder that even in this more relaxed, circumspect state, they remain powerful and provocative artists. Byrne’s lyrics display a fascination with the minutiae of life — he’s like an alien anthropologist yearning to understand. Eno’s music, ideas collected over the last few years that he enlisted Byrne to breathe life into, resembles the sonic landscaping he created for Paul Simon’s
Surprise
, a bubbling froth that sounds warm and peaceful. It’s light years away from the chaotic tension of
My Life in the Bush of Ghosts
; that may be disappointing to some, but it’s better to see these artists not trying to fit into the clothing of their youth. The few quirky experiments, like the trip-hop-inspired “I Feel My Stuff,” are outmatched by the soaring tracks where Byrne unleashes his full-bodied vocals. “The River” finds him in prime form, his words climbing in cadence and reaching a fevered ecstasy while Eno makes every mundane lyrical turn of phrase into an epic, explosive event.
Everything That Happens
is a brilliant addition to a creative partnership that has yielded so much and shouldn’t have taken 27 years to rekindle.
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Same as he ever was
Thirty-four years after forming the legendary band Talking Heads with fellow Rhode Island School of Design students Tina Weymouth and Chris Frantz, David Byrne returns to the area to perform “The Songs of David Byrne and Brian Eno.”
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“This ain’t no CBGB,” David Byrne sang during his late-set dive bomb into “Life During Wartime,” and a glance around the immensely classy premises of the Wang Theatre verified it.
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Not unlike Swedish, Tagalog, and Esperanto, music is a language, with its own conjugations and (lewdly) dangling participles.
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You know how Brian Eno is supposed to have said something like, "Only 5000 people ever bought a Velvet Underground album, but every single one of them started a band"?
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Krautrock pioneers proved much more simpático musical partners than either the fractious Roxy Music or the British classical avant-garde milieu that thought of Eno as an untrained fanboy.
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Regardless of whether Liars have broken ground connecting the amateur groping of punk rock to the exotic modalities of modern (12-tone) classical and Eastern European music, Sisterworld feels utterly wrenched with bourgeois boredom.
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Even now, after Greil Marcus’s Lipstick Traces and Simon Reynolds’s Rip It Up and Start Again , the rock-star-as-vector-of-ideas is still something of a challenge for us.
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This collection of odds and sods isn’t exactly your father’s ambient music, though guitarist Robert Fripp and keyboardist/sonic sculptor Brian Eno are certainly the genre’s papas.
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Providence Mayor David N. Cicilline's second annual Senator Claiborne Pell Lecture on Arts and Humanities wasn't really about the arts. Or the humanities.
Less
Topics
:
CD Reviews
,
Paul Simon
,
Brian Eno
,
David Byrne
|
More
ARTICLES BY MICHAEL PATRICK BRADY
THE FALL | YOUR FUTURE OUR CLUTTER
| April 27, 2010
If you didn’t know any better, you might think that Your Future Our Clutter is a recording of a raving old lunatic heckling a very solid instrumental band.
SAM AMIDON | I SEE THE SIGN
| April 15, 2010
Sam Amidon is fascinated with the songbook of old Americana, and his radical yet tasteful reimaginings of traditional folk ballads and hymns breathe new life into a form often seen as quaint and old-fashioned.
RED SPAROWES | THE FEAR IS EXCRUCIATING, BUT THEREIN LIES THE ANSWER
| March 30, 2010
Post-rock bands are like silent-film actors — bereft of words, they tend to use broad gestures to ensure that you get the point.
THESE NEW PURITANS | HIDDEN
| March 09, 2010
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
CLOGS | THE CREATURES IN THE GARDEN OF LADY WALTON
| March 03, 2010
Fusion experimenters Clogs take a modern approach to folk-flavored chamber music.
See all articles by:
MICHAEL PATRICK BRADY
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