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CD Reviews
Horse Feathers | House With No Home
Kill Rock Stars (2008)
By
NINA MACLAUGHLIN
|
September 23, 2008
HORSE FEATHERS, HOUSE WITH NO HOME
" alt="photo of 'HORSE FEATHERS, HOUSE WITH NO HOME'">
3.5
Stars
It’s not a sad album, but it is mournful, in the hushed and satisfying way that Sunday afternoons in November can be; the atmosphere is attic. Justin Ringle, who lives in damp, gray Portland, Oregon, writes simple, subtle songs that can be tucked right in under the Americana quilt. Titles like “Burden,” “Working Poor,” and “Different Gray” give away the record’s disposition, as do plunky-plucked banjo, fiddle, and a cello that resounds in all the right ways. Any initial quaintness complexifies into something richer, more layered. Ringle has a voice that gets compared with Sam Beam’s and Nick Drake’s for its warmth and gentleness. (
The Creek Drank the Cradle
spun in my CD player for the better part of a year;
House
surpasses it.) But though his singing is warm and calm, it’s often the strings that become the main characters. Heather Broderick on cello and her brother Peter on violin hold the bows, the mood setters, as it were. And it’s not all pre-winter despondence: “This Is What” is summery above all else, in a picnics-and-swimming-hole sort of way. “Rude To Rile” snaps along; longing rumbles in “Albina.” It’s an intimate thing, particularly when Heather adds backing vocals, and the intimacies are fittingly small — not lovemaking swells but quieter gestures of closeness.
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A cut above
From out of blearily luminous pools of spiraling orange fractals, the disembodied head of a stately-looking man emerged, coaxing us to attention with little more than his calming gaze and an invitation to “a new beginning.”
Northern neighbors
Canada’s most populous province, Ontario, is full of promising, undiscovered acts.
The National
The National’s new vessel turns out to be a pirate ship.
Family affairs
Good news for Meat Puppets fans: the post-hardcore band who hit on a strange interstice of country, psychedelia, and punk a quarter-century ago are alive and kicking. Curt Kirkwood, "Golden Lies" (mp3) Curt Kirkwood, "Beautiful Weapon" (mp3)
Shapeshifting
It’s a delicious surprise to find that Jose can get beyond the bedroom sound of Veneer , and by “get beyond,” I mean this guy can swing with a reckless, nerdy abandon that does nothing to rob him of his Nick Drake comparisons. Slideshow: Zero 7 at Avalon, September 12, 2006
Éminence grise
When I first met Joe Boyd, I knew him only as a legend, the force behind the psychedelic and folk-rock movements of the 1960s.
Three-way
Did we piss off the hipster-show gods?
On the racks: August 29, 2006
. . . plus Method Man, Motorhead, and Pete Yorn
Love by the numbers
Khaela Maricich, of the Portland, Oregon-based, low-budget electro-pop group the Blow, and Britain’s dauntingly young and talented folk star Laura Marling don’t, frankly, deserve to be lumped together like this.
Less is best
González possesses the will power and the patience to dig into each of his songs until he has exhumed its bleeding heart.
18 big hits
This year, the number of great albums increased twofold across all genres, from hip-hop to metal, from swing to punk.
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ARTICLES BY NINA MACLAUGHLIN
ON CARPENTRY AND COLLEGE
| October 20, 2011
Age 30, I quit the Phoenix and ended up with a job as an apprentice to a carpenter. Sawing, chiseling, hammering, nail-gunning, tiling, sanding, slotting, framing, hauling, measuring, and sweeping are less obvious outcomes of an undergraduate career in the liberal arts. College, in strange and unexpected ways, prepared me for this sort of work. And in others, did not prepare me at all.
PHDISASTERS
| April 27, 2011
I knew a man pursuing a PhD in literature. His dissertation had to do with humor as a form of dissent in 20th-century literature. And how enthused he was at first! How passionate and excited.
DAVID FOSTER WALLACE'S THE PALE KING
| April 13, 2011
All I can do is tell you how I read the book.
THE HOUSE THAT HOUSE OF SAND AND FOG BUILT
| February 25, 2011
Andre Dubus III collected me at the Newburyport train station last month when the snow piles were already high. We stopped first for a coffee for the road; he asked all the questions: siblings, hometown, are you married?
DON'T BE AN IDIOT
| January 27, 2011
We're all idiots when we're 18. We're all idiots for the first half of our 20s, and longer, for some. By saying so, we're not trying to insult anyone.
See all articles by:
NINA MACLAUGHLIN
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