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Battles | Gloss Drop
CD Reviews
Cowboy Mouth
Voodoo Shoppe | Eleven Thirty
By
BRETT MILANO
|
March 21, 2006
VOODOO SHOPPE
" alt="photo of 'VOODOO SHOPPE'">
3.5
Stars
In recent years, Cowboy Mouth have created a niche for themselves as a New Orleans party machine. But they used to be something more: a roots band with a big heart, great songwriting, a wide stylistic reach, and a crazed drummer. That’s the Cowboy Mouth who reappear on
Voodoo Shoppe
, the first real band effort in a long while (singer/drummer Fred LeBlanc made most of the last album,
Uh-Oh
, by himself). LeBlanc’s mile-wide personality is still much in evidence, but now the songs are all co-written, vocal harmonies are back, and everybody gets a turn up front. Singer/guitarist John Thomas Griffith, once of the Clash-inspired Red Rockers, gets his best moment on “Joe Strummer,” a song about the need to get rid of a girlfriend who’s never heard of the Clash. It's both a worthy tribute and a modern rock hit waiting to happen. Punk roots are also echoed in “Misty Falls,” which nicks its guitar solo from Eddie & the Hot Rods’ “Do Anything You Wanna Do.” After a few more wild rockers, they add a welcome shot of swamp funk on the title track. The closing Katrina-inspired trilogy is angry, sad, and most of all hopeful, with LeBlanc’s ballad “The Avenue” hitting a jazz-funeral groove as he promises “the marching bands will roll, and I plan on growing old on the avenue.” Inspiring stuff, and still a hell of a party album.
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Jackie Greene
This ex-blues prodigy’s latest has the verve and emotional depth of Clapton’s best singer-songwriter outings.
Muck and the Mires
If Phil Spector could produce the Ramones, then Kim Fowley can produce Muck and the Mires, local faves whose sound has always been two parts Ramones to five parts British Invasion.
No advil, no booze
...Musing on science fiction, existentialism, and stalker ex-husbands.
Karen Dalton
Dalton pours herself so fully into each tune, it’s no wonder she flamed out.
Stax 50th Anniversary Celebration
This year, California’s Concord label took ownership of Memphis’s greatest musical treasure chest, the Stax Records catalogue.
The Blind Boys of Alabama
The Blind Boys today are as much an American institution as a singing group, with a history that stretches through the last seven decades and every fabric of 20th-century gospel music.
The band time forgot
The Outlets’ Rock 1980 really wasn’t recorded 27 years ago. It only should have been.
Rare birds
Maria Schneider didn’t necessarily know what “The ‘Pretty’ Road” was about when she started writing it.
Résumé: Selected + Mixed by Citizen Crew
The French labels Kitsune, Ed Banger, and Institubes have clogged dance bins with aggro, monochromatic, twitchy filter metal.
Pete Seeger: The Power of Song
This documentary by Jim Brown offers an inspiring portrait of America’s most enduring folk artist.
Erin McKeown: Lafayette
Give some of the credit to her crack back-up band, who move effortlessly between head-nodding hip-hop grooves and hopped-up big-band shuffles.
Less
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,
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,
More
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Entertainment
,
Music
,
Pop and Rock Music
,
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,
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,
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,
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,
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ARTICLES BY BRETT MILANO
WALTER SICKERT LEADS A BAND OF MUSICAL MISFITS
| February 05, 2011
When Walter Sickert and his Army of Broken Toys played an official First Night show at the Hynes Auditorium on New Year's Eve, they ran overtime and the soundman pulled the plug — which isn't quite the smartest way of shutting down an acoustic band.
GUIDED BY VOICES RETURN WITH SELF-INFLICTED NOSTALGIA
| November 07, 2010
When Guided by Voices announced their reunion tour this year, it marked a milestone of sorts for the Dayton band. This is arguably the first conventional career move they've ever made.
DANDO AND HATFIELD REKINDLE A MUSICAL COURTSHIP
| November 01, 2010
Evan Dando and Juliana Hatfield were never a serious couple, and they never played music together for very long.
REVIEW: ROCK OF AGES
| October 12, 2010
At the start of the hair-metal musical Rock of Ages (at the Colonial Theatre through October 17), narrator Lonny (Patrick Lewallen) promises a night of sexy decadence and general kick-assery.
DREAM SYNDICATE'S STEVE WYNN REVIVES A CLASSIC
| October 12, 2010
At the end of 1983, I was writing for Boston Rock magazine, and in one issue, we predicted the defining releases of the year to come.
See all articles by:
BRETT MILANO
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