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Low rent

Boston Lyric Opera’s latest La bohème; plus Collage’s Berio, and Markus Stenz at the BSO
With good singing, acting, and conducting, a stage director for La bohème can afford to keep out of the way, which is pretty much what Ocel does.
By: LLOYD SCHWARTZ  |  November 06, 2007


The hottest and brightest

Rescued by music
The New England Conservatory is bringing to Symphony Hall the hottest of young conductors.
By: LLOYD SCHWARTZ  |  December 16, 2008


Lorca without Lorca

Opera Boston’s Ainadamar, plus Ida Haendel, the BSO, and West Side Story
Is it possible for a work of art to seem both completely sincere in its intentions and at the same time counterfeit and manipulative?
By: LLOYD SCHWARTZ  |  October 30, 2007


The art of . . .

Bach at Emmanuel, Boston Baroque’s Cosí fan tutte, Kiri Te Kanawa’s farewell to Boston  
Craig Smith’s Emmanuel Music began its season with Bach, the composer it’s best known for.
By: LLOYD SCHWARTZ  |  October 16, 2007


Opening nightmare

Good playing, bad karma at the BSO gala
It wasn’t as bad as what happened at Opening Night at the Pops last May, but it was still awful.
By: LLOYD SCHWARTZ  |  October 10, 2007
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