Michael Preston begins the show as a master of ceremonies, coaxing the audience into a chorus of "Do re mi" and introducing an invisible Richard Rodgers to make a few remarks. After the curtain goes up, he joins the cast as a sort of stage manager, telescopes his tall frame to become the smallest Trapp child, and, in brownshirt uniform, seduces a prim-looking Elkins on a park bench. I don't know who Elkins is playing then, but the dance is creepily hilarious.

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ARTICLES BY MARCIA B. SIEGEL
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    Erik Satie called his vocal work Socrate a "symphonic drama," though it's anything but dramatic in a theatrical sense — or symphonic, either.
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    When Trey McIntyre found a base for his infant company in Boise, Idaho, four years ago, eyebrows lifted in the dance world.
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    All three dances presented by Ballet Hispanico at the Cutler Majestic last weekend depended heavily on costume effects to convey their messages.

 See all articles by: MARCIA B. SIEGEL

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