Finally, she brought out a chair. Real all of a sudden, but not quite, she donned sunglasses, drank from several plastic water bottles and tossed them away, and unfolded a newspaper. As she turned the pages, words popped out and bounced away across watery scenes of rivers and streams. The words were water words, and they became more ominous — LAKE, RIVER, ARROYO, FLOOD, TSUNAMI, DESERT. The scenes were of drowned deltas and sand dunes. Finally there was no water, only desert. The woman slumped in her chair, and the stage lights went out, leaving us with projected watery haiku for consolation.

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ARTICLES BY MARCIA B. SIEGEL
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    Erik Satie called his vocal work Socrate a "symphonic drama," though it's anything but dramatic in a theatrical sense — or symphonic, either.
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    When Trey McIntyre found a base for his infant company in Boise, Idaho, four years ago, eyebrows lifted in the dance world.
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    All three dances presented by Ballet Hispanico at the Cutler Majestic last weekend depended heavily on costume effects to convey their messages.

 See all articles by: MARCIA B. SIEGEL

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