It's not realistic to expect this show to provide a comprehensive view of Degas and his accomplishment — there are some 1200 known Degas paintings, most of them held by museums around the world. To know Degas you need to visit the paintings. There is much of interest here, though, and moments that are pure Degas. One is the black crayon drawing "Sabine Neyt, The Artist's Housekeeper." There's just the head, hands, and a simple outline, but the piece has the personality and position characteristic of Degas's method.

The special treat here is a group of works on paper by his circle of friends. These include some well-known figures like Walter Sickert, Gustave Moreau, and Camille Pissarro as well as artists rarely seen like Alphonse Legros and Mortimer Menpes. Look especially for a favorite, the little Manet etching of Charles Baudelaire.

Ken Greenleaf can be reached at  ken.greenleaf@gmail.com.

"DEGAS: THE PRIVATE IMPRESSIONIST" | Through May 21 | at the Portland Museum of Art, 7 Congress Sq, Portland | 207.775.6148 |  portlandmuseum.org

< prev  1  |  2  | 
  Topics: Museum And Gallery , Museums, Camille Pissarro, Edgar Degas,  More more >
| More


Most Popular
ARTICLES BY KEN GREENLEAF
Share this entry with Delicious
  •   PMA SHOW HIGHLIGHTS MOMA’S INFLUENCE  |  May 16, 2013
    It's a peculiarly American irony that the same man who basically invented the advertising model for the business of broadcasting radio and later television would have amassed a significant collection of modernist art.
  •   STOP MAKING SENSE  |  April 17, 2013
    The current show by the highly-acclaimed Danish artist Per Kirkeby at the Bowdoin College Museum of Art is a broad survey of his work, with examples of his paintings and sculpture from the 1960s up to a few years ago.
  •   MARKING MUD TIME IN PORTLAND GALLERIES  |  March 20, 2013
    Galleries tend to hunker down for the annual Maine economic recession, and are more or less vamping until full spring. Which is OK, since they are often picking from gallery inventory, and they have some good things.
  •   CROSSING THE SEA TO GO BELOW THE SURFACE  |  February 20, 2013
    The world is, as Tom Friedman has noted, flat, which doesn't take much label-reading to ascertain.
  •   LOIS DODD’S FIRST CAREER RETROSPECTIVE SHOWCASES A BRIGHT ABSTRACTIONIST  |  January 23, 2013
    "Lois Dodd: Catching the Light" is the kind of show that reminds you why you got interested in art in the first place. The paintings are terrific and the big, first-floor gallery at the Portland Museum of Art has never looked better.

 See all articles by: KEN GREENLEAF