For example, in the 2010 video 30 Days of Running in Place, Ahmed Basiony exercises in a makeshift spacesuit with sensors that convert his movements and physiology into designs on a screen behind him. It might be the psychological state of the artist translated into a dull graph. But the video is intercut with footage he shot of the Tahrir Square protests that would overturn the Egyptian government. At one such protest, on January 28, 2011, he was killed, apparently by sniper fire. Basiony puts us in the middle of the crowds shouting (in Arabic, subtitled), "People want to remove the regime!" The raw footage crackles with the visceral, subversive thrill of lots of fed up people gathering to speak ill of powerful guys backed by guns.

Read Greg Cook's blog at gregcookland.com/journal.

< prev  1  |  2  | 
  Topics: Museum And Gallery , School of the Museum of Fine Arts, Wellesley College's Davis Museum, reviews,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK