Vance's work is about painting and nothing else in a new iteration of art for art's sake that, while deeply informed by what came before it, does not look back. Her canvases collapse many distinctions ingrained in art-historical discourse and occupy a middle ground where paint, space, and light become the only subjects outside of any modern or post-modern conceptual framework. Hers is not painting pure and simple, but knowing and complicated. In their unmitigated aliveness and intense complexity these paintings are resolved but far from static — their forms are at rest yet never leave you be.

Britta Konau can be reached at curatorbk@gmail.com.

WORKS BY LESLEY VANCE | through July 1 | at Bowdoin College Museum of Art, 245 Maine St, Brunswick | 207.725.3275 | bowdoin.edu/art-museum

< prev  1  |  2  | 
  Topics: Museum And Gallery , Painting, Museums, Bowdoin College Museum of Art,  More more >
| More


Most Popular
ARTICLES BY BRITTA KONAU
Share this entry with Delicious
  •   SOPHIA NARRETT’S UPDATE ON THE ROMANTICS  |  May 30, 2013
    Sophia Narrett has created "embroidered paintings" since 2011.
  •   ANDY VERZOSA’S RE-THINKING AT AUCOCISCO  |  May 09, 2013
    Owner and director Andres Verzosa is showing 13 three-day two-person shows this season. Verzosa is perfectly aware of the disappearance of hierarchy and authority that I would maintain is not only taking place in the art world, but has already happened in art criticism and publishing.
  •   SMALL SCALE YIELDS BIG IMPACT  |  April 18, 2013
    Medieval towns, towers and turrets, flocks of birds, and blazing fires could easily be the subjects of fairytales or kitsch. Not so in the hands of Dozier Bell, who has plunged deeply into her imagination and masterfully realized what she found there in visual terms.
  •   SMALL SCALE, BIG IMPACT  |  April 10, 2013
    Medieval towns, towers and turrets, flocks of birds, and blazing fires could easily be the subjects of fairytales or kitsch. Not so in the hands of Dozier Bell.
  •   EXPLORING NEW AND OLD LANDSCAPES  |  March 13, 2013
    The nature-inspired work of Lydia Badger, Hilary Irons, and Erik Weisenburger, on display at Rose Contemporary under the name "The New Landscape," is undoubtedly new — powerfully conceived, refreshingly innovative, and scrupulously executed — but the three are also happy to be part of a long tradition.

 See all articles by: BRITTA KONAU