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This paperback original is a kind of best-of remix: 16 interviews selected from the echt lit mag’s 53-year history, the most recent never before published in book form, from Dorothy Parker (Issue 13, 1956) to Joan Didion (Issue 176, 2006). The “writers at work” series, of course, has long been manna for critics, fans, or the would-be novelist or poet and creative-writing-workshop addict intent on getting a behind-the-text look at the creative process as well as a peak at the more mundane aspects of work habits and routines. Here, it allows us to ask the question, as Philip Roth once put it in a PR interview, “Is he as crazy as I am?” What delights in this first of a projected three-volume series, is the inclusion of the obvious Pulitzer- and Nobel-heavyweights (Bellow, Borges, Hemingway, Elizabeth Bishop) alongside less likely subjects as poet Jack Gilbert, editor Robert Gottlieb, and noir master James M. Cain, who offers: “Writing a novel is like working on foreign policy. There are problems to be solved. It’s not all inspiration.”

Related: Lions and lambs, Tripping, Poetic license, More more >
  Topics: Books , Media, Books, Elizabeth Bishop,  More more >
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ARTICLES BY JON GARELICK
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  •   DOMINIQUE EADE AT SCULLERS  |  February 10, 2012
    "I'm discontented with homes that I've rented/so I have invented my own," sang Dominque Eade slowly, over a simple bass accompaniment.
  •   CAN THE CHARLES RIVER ESPLANADE BE TRANSFORMED INTO THE WORLD'S BEST PARK?  |  February 17, 2012
    What if — in place of the current three-story Museum of Science parking garage overlooking the Charles River — there loomed a giant Ferris wheel, on the order of the London Eye?
  •   TIM BERNE COMPOSES HIMSELF  |  February 07, 2012
    It's been almost exactly four years since Tim Berne's last visit to Boston— March 2008, to be precise, with jazz-prog guitarist David Torn's band Prezens.
  •   JASON MORAN AT JORDAN HALL  |  February 03, 2012
    I have to admit, I was not sanguine at the beginning of this highly anticipated concert by pianist and composer Jason Moran.
  •   MARISSA AND CHARLES LICATA AT SCULLERS  |  February 02, 2012
    I can't remember the last time I saw a costume change in the middle of a jazz show — if ever — but violinist Marissa Licata's performance with her father, saxophonist Charles Licata, and their band held all kinds of surprises.

 See all articles by: JON GARELICK

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