Shuffle mode

Shake-ups on the gallery scene
By GREG COOK  |  April 1, 2008

080404_galleries_main
MOVING: Howard Yezerski is taking his venerable Newbury Street Gallery to the South End.

A week after Allston Skirt Gallery got two of its artists named among the four finalists for the Institute of Contemporary Art’s 2008 Foster Prize, word began to spread that the nine-year-old gallery would be closing at the end of its next show.

The news turned out to be the first sign of a major gallery shake-up involving a number of Boston’s most prestigious venues. Three galleries are closing, several are moving, and others are restructuring. Are these changes just the start of a contraction as the tanking economy begins to affect the local art market?

The three-year-old Space Other gallery at 63 Wareham Street will close after its April 4-26 show, but it’s planning a series of “Space Other at other spaces” exhibits in Amsterdam, Berlin, New York, San Juan, and Mexico City in 2008 and ’09. Judy Ann Goldman at 14 Newbury Street plans to close, at least temporarily, at the end of June and “use the summer to reassess my next move.” There are widespread rumors that Rhys Gallery at 401 Harrison Avenue may leave town; owner Colin Rhys declined to comment. At least three additional galleries seem to be on the bubble and may close in the coming months.

On the plus side, GASP gallery in Brookline (run by artist María Magdalena Campos-Pons) plans to open an expansion at 368 Boylston Street, next door to its existing space, during Brookline Artists’ Open Studios on April 12. It will offer a performance and meeting space, a shop selling artist-designed functional multiples, and occasional art exhibits. Ami Bennitt, who organized art shows at the Paradise Lounge, opened the gallery Space242 on East Berkeley Street in January. And Stephanie Walker, former director at Newbury Street’s Chase Gallery, hopes to open her own gallery on Newbury, perhaps as early as this fall.

Bernard Toale is hashing out a new lease that would have his gallery director, Joseph Carroll, take over much of the space as his own independent gallery (and maintain the Boston Drawing Project) by September while Toale opens an art-consulting business in a corner of the space. Axiom Gallery co-director Phaedra Shanbaum is scheduled to move to England in August to pursue graduate studies in art history. The gallery plans to continue operations under the other director, Heidi Kayser, with Shanbaum offering long-distance advice.

A number of galleries are moving, continuing the shift in numbers — and power — from Newbury Street to the South End, where rents can run half of what they do on Newbury Street. Howard Yezerski is working out a lease to move from 14 Newbury Street to 460 Harrison Avenue over the summer. There are widespread rumors that Miller Block Gallery, whose lease expires this summer, may also move from 14 Newbury Street to Harrison Avenue; the gallery declined to comment. Beth Urdang is looking for a new Newbury Street spot for her gallery when the lease on her space at 129 Newbury expires June 1. John Colan moved his HallSpace gallery from 31 Norfolk Avenue in Roxbury to 950 Dorchester Avenue in Dorchester in February, after his old building changed hands.

1  |  2  |  3  |   next >
Related: Boston gallery shake-up, Drawing to a close, The devil in the details, More more >
  Topics: Museum And Gallery , Visual Arts, Institute of Contemporary Art, Stephanie Walker,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   PERSONAL POLITICS  |  April 23, 2014
    M eredith Stern creates dreamy fables.
  •   PERFECTLY HUMAN  |  April 16, 2014
    Sometimes I think you can understand everything about our society today by considering it through two themes — the perfection of technology versus the messily human handmade.
  •   THE LAST FRONTIER  |  April 02, 2014
    They say that temperatures in the McMurdo Dry Valleys of Antarctica haven’t been above freezing in millennia.
  •   ASSURED ABSTRACTIONS  |  March 19, 2014
    “The golden age of abstraction is right now,” ARTnews informed me last spring.
  •   COMMON GROUND  |  March 12, 2014
    “I did everything in the world to keep this from happening,” exclaims the assistant to the rich man in Kerry Tribe’s There Will Be ___ _.

 See all articles by: GREG COOK