Exposures

By GREG COOK | November 14, 2008

Rebecca Cummins of Seattle offers photos showing her repeated tracings (in rainbow colors) of the sundialing shadows of assorted glasses and bottles and candle holders atop restaurant tablecloths. She wittily addresses time passed with friends over meals. Bryon Wolfe of Chico, California, spent a year photographing his home and family to create a day-by-day catalogue of little domestic poems — dishes in a sink, a boy sprawled on an airport's moving sidewalk, a rumpled bed, ravens fluttering past a bare tree at dawn. None of this stuff feels particularly substantial, but plenty of it is fetching.

You can read Greg Cook's blog at gregcookland.com/journal.

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ARTICLES BY GREG COOK

CLOTHES MAKE THE MAN | May 13, 2013
What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.

MERRY PRANKSTERS | May 07, 2013
Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.

ALTERED IMAGES | April 30, 2013
Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.

IN THE CITY | April 23, 2013
One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

THE AFTERMATH OF ATROCITY | April 16, 2013
From the ruins of the Iraq war emerges Wafaa Bilal's "The Ashes Series" and Daniel Heyman's "I Am Sorry It Is So Difficult To Start," on view at Brown University's Bell Gallery.