bestnom1000x50

Slideshow: Chunky Move at ICA

Chunky Move performs I Want to Dance Better at Parties at the Institute of Contemporary Art, March 27, 2009
By GREG COOK  |  April 1, 2009

picChunkyMove01.jpg 
The Australian troupe Chunky Move performed its 2004 work I Want to Dance Better at Parties at Boston’s Institute of Contemporary Art from March 27 to 29. It’s part documentary narrative, part comedy, part kinetic metaphor about the pleasures and terrors of social dancing.

The show developed out of interviews choreographer Gideon Obarzanek conducted with five guys around Melbourne, where the company is based. The fellows tell their stories in voice-overs. The title comes from a man left lonely after his wife has died.“It was great fun dancing with you,"  a woman he dances with at a party tells him, "but you ought to learn to move your shoulders or your butt a bit.” So he takes ballroom and Latin dance lessons, but they’re too formal. He realizes, “I want to learn how to dance at parties.” And he does. Ultimately the show’s about men, their bodies, and love.

The performance moves from country western clogging to traditional Israeli dancing to a scene in which deeply-breathing dancers seem to inflate and deflate like holiday lawn ornaments. The moment that sticks in my head: A woman swaying to a slithery, sultry belly dance gets tackled by a guy flying out of the wings. And a brawl erupts.

Photos by Greg Cook

1  |  2  |  3  |  4  |  5  |  6  |  7  |  8  |  9  |  10  |   next >
Related:
  Topics: Dance , Dance , Visual Arts , Institute of Contemporary Art ,  More more >
| More
Featured Articles in Dance:
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK