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Fast and loose

By GERALD PEARY | December 9, 2009

But that esprit de corps in no way included producers. Altman loathed them. He halted shooting on a Dino De Laurentiis film one afternoon so the cast could watch Muhammad Ali fight on TV. He so inflamed Jack Warner by his obstinately improvisational directing methods that Warner banished him from the studio lot. As the old-timer exec complained of Altman: "That fool has actors talking at the same time."

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ARTICLES BY GERALD PEARY

REVIEW: LIKE SOMEONE IN LOVE | March 12, 2013
A decent little movie, but hardly a major one, from Iran's master filmmaker Abbas Kiarostami, who, self-exiled, here shoots in Tokyo with an all-Japanese cast.

REVIEW: THE GATEKEEPERS | February 26, 2013
Great cinema journalism, The Gatekeepers was the National Society of Film Critics' winner for Best Documentary of 2012.

REVIEW: THE LITTLE FUGITIVE (1953) | February 27, 2013
It's the 60th anniversary of this pioneering American independent feature, which greatly influenced both cinema vérité documentarians and the French New Wave.

REVIEW: HOW TO RE-ESTABLISH A VODKA EMPIRE | February 20, 2013
Daniel Edelstyn launched this film project after reading the spirited diary of his late grandmother, Maroussia Zorokovich, whose wealthy Jewish family split from Ukraine as the Bolsheviks were taking control.

REVIEW: HAPPY PEOPLE: A YEAR IN THE TAIGA | February 12, 2013
What Robert Flaherty did with title cards in his silent Nanook of the North , Werner Herzog manages with declamatory voiceover in Happy People : romanticization of the austere, self-reliant lives of hunters and trappers in the icebound north.