Classic drama

By BILL RODRIGUEZ  |  March 17, 2010

He is speaking to her Gentleman Caller (Kelby T. Atkin), a co-worker at the warehouse whom he has brought to meet his sister. The young man has been earnestly underachieving on all cylinders, trying to make up for lack of talent by pumping up the gusto. But Atkin soon has us rooting for him, since the self-confidence that the man tries to impart to Laura, inspired by a public speaking course he recently took, is made to come from a generous spirit rather than conceited bluster.

As impressive as the rest of the cast is, Buirski's Laura will stay with you as long as you remember this play. Her scene with the Gentleman Caller will break your heart as she has you follow all the changes the young woman goes through, taking many tiny steps from abject trepidation, through deserved confidence, to unsentimental realism. At the Sandra Feinstein-Gamm Theatre, Buirski finds strength in the character that I never knew existed.

< prev  1  |  2  | 
  Topics: Theater , Entertainment, Theater, Fred Sullivan,  More more >
| More


Most Popular
ARTICLES BY BILL RODRIGUEZ
Share this entry with Delicious
  •   FALL ARTS PREVIEW | THEATER: STORIES ACHING TO BE TOLD  |  September 10, 2014
    From 'Eleemosynary' to 'Hype Hero.'
  •   THE WAR WITHIN  |  September 10, 2014
    A compelling combination of intelligent text and thoroughly inhabited performance.
  •   A MOST MISERABLE MAN  |  September 10, 2014
    There is a good reason that Anton Chekhov’s Ivanov isn’t staged often.
  •   DANTE'S KITCHEN  |  September 03, 2014
    Southern cookery is unfairly denigrated, commonly, merely out of snooty Yankee disdain.
  •   A ROYAL ROMP  |  August 27, 2014
    It was inevitable that the country that brought us staid Queen Victoria and stiff upper lips was bound to eventually loosen up and bring us Monty Python.

 See all articles by: BILL RODRIGUEZ