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JEFFREY GANTZ

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Review: Dancing Across Borders

Dancing beyond conventions, also
Anne Bass’s documentary about a 16-year-old Cambodian boy whom she brought to the US to study at the School of American Ballet looks at first to be limited by its feel-good story arc, but it dances beyond that.

By: JEFFREY GANTZ | April 21, 2010

Play by play: April 23, 2010

Theater listings, week of April 23, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | April 21, 2010

Play by play: April 16, 2010

Theater listings for the week of April 16, 2010
Theater listings for the week of April 16, 2010

By: JEFFREY GANTZ | April 15, 2010

Here’s looking at you

Boston Ballet sees into the heart of Coppélia
Set in the usual small village — this one in the Carpathian Mountains of Eastern Europe — Coppélia might look like just another pleasant 19th-century ballet about a boy, a girl, and another girl. But appearances can be deceiving — and that’s theme of this work, whose title character is a life-size mechanical doll.

By: JEFFREY GANTZ | April 30, 2010

Play by play: April 9, 2010

Theater listings, April 9, 2010
Theater listings, April 9, 2010

By: JEFFREY GANTZ | April 06, 2010

Play by play: April 2, 2010

Theater listings, week of April 2, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | April 01, 2010

Play by play: March 26, 2010

Theater listings, March 26, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | March 25, 2010

Play by Play: March 19, 2010

Boston's weekly theater schedule.
Boston's weekly theater schedule.

By: JEFFREY GANTZ | March 17, 2010

Review: The Secret Of Kells

Celtic crossover
It's early-ninth-century Ireland, and young, flame-haired Brendan is agog over the arrival of Iona refugee Aidan and his white cat, Pangur Bán, at the Abbey of Kells.

By: JEFFREY GANTZ | March 17, 2010

The good old days

Max Raabe & Palast Orchester, live at the Paramount Theatre, March 6, 2010
As if it weren’t enough that the venerable Paramount Theatre on Washington Street was open for the first time since 1976, the Celebrity Series of Boston brought in as the initial act to play the new 600-seat mainstage Max Raabe and his Palast Orchester.

By: JEFFREY GANTZ | March 11, 2010

Play by play: March 12, 2010

Theater listings, week of March 12, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | March 10, 2010

Interview: Max Raabe

Killer cabaret: bringing Berlin to Boston
"It was so crazy in the '20s, in the Weimar Republic. Everything was so open-minded and wide, and that is why I love that period so much."

By: JEFFREY GANTZ | March 02, 2010

Play by Play: March 5, 2010

Theater listings, March 5, 2010
Boston's weekly theater listings

By: JEFFREY GANTZ | March 03, 2010

Spy ware

PBS does The 39 Steps
Hitchcock fans will feel right at home with the DVD box of the 2008 BBC production that's making its American debut this Sunday on Masterpiece Classics .

By: JEFFREY GANTZ | February 23, 2010

Play by play, February 26, 2010

Theater listings, week of February 26, 2010
Boston's weekly theater listings

By: JEFFREY GANTZ | February 24, 2010

Play by play: February 19, 2010

Theatre listings, week of February 19, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | February 17, 2010

Play by play: February 12, 2010

Theater listings, February 12, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | February 09, 2010

Play by play: February 5, 2010

Plays from A to Z
Boston's weekly theater listings

By: JEFFREY GANTZ | February 03, 2010

Play by Play: January 29, 2010

Theater listings, January 29, 2010
Boston's weekly theater schedule

By: JEFFREY GANTZ | January 27, 2010

Play by play: January 22, 2010

Theater listings, January 22, 2010
Boston's weekly theatre schedule

By: JEFFREY GANTZ | January 20, 2010

Review: Emanuel Ax at Jordan Hall

Emanuel Ax, live at Jordan Hall on January 8, 2010
I don't want to imply that everybody who's anybody was at Jordan Hall Friday night to hear pianist Emanuel Ax's Celebrity Series recital — but that was Yo-Yo Ma sitting two rows in front of me.

By: JEFFREY GANTZ | January 13, 2010

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