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PETER KEOUGH
Latest Articles
Review: Transformers: Dark of the Moon
3D adds an illusion of depth
Maybe 3D does have a purpose; it makes Michael Bay's third Transformers movie worth watching.
By:
PETER KEOUGH
| June 28, 2011
Review: The Women On the Sixth Floor
A comforting charmer
Philippe Le Guay's '60s-set Gallic Upstairs/Downstairs has all the requisite elements: easygoing political correctness, staid platitudes, saucy comedy, and a romance between a middle-aged bourgeois and a life-affirming babe 30 years his junior.
By:
PETER KEOUGH
| June 28, 2011
Review: The Last Mountain
As Bill Haney's infuriating, straightforward documentary argues, the coal industry is not only poisoning our air and water but our democracy as well.
By:
PETER KEOUGH
| June 21, 2011
The 13th Annual Provincetown International Film Festival
Cape Crusaders
Henry Thoreau said of the song of the wood thrush: "Whenever a man hears it, it is a new world and a free country, and the gates of heaven are not shut. . . . " For some reason, Provincetown is full of these birds — appropriately so, given the avowed intent of the Provincetown International Film Festival to present liberated "filmmaking on the edge."
By:
PETER KEOUGH
| June 21, 2011
Review: Submarine
Here the eloquent misfit is Oliver Tate, a cynical wise guy whose inept horniness competes with his existential anxiety. .
By:
PETER KEOUGH
| June 17, 2011
Review: The Trip
In his brilliant "adaptation" of Laurence Sterne's Tristram Shandy , Michael Winterbottom created a self-reflexive parodic movie of the quintessential self-reflexive parodic novel .
By:
PETER KEOUGH
| June 17, 2011
Mike Mills on Beginners' lessons
Pet sounds
It's not like talking pets never appear in the movies, but when it happens twice in the same year, it seems suspicious.
By:
PETER KEOUGH
| June 09, 2011
This summer's movies are all about kicking ass
We can be heroes
On the screen this summer, everyone is a superhero.
By:
PETER KEOUGH
| June 10, 2011
The film festivals of New England are no last resorts
Sun screens
Not only does our region offer some of the country's best vacation spots, but it also hosts some of the most innovative, manageable, illuminating, and entertaining cinephilic celebrations around.
By:
PETER KEOUGH
| June 10, 2011
Review: Beginners
Anna Hall
Beginners adds a dash of New Wave style and a dose of genuine pathos to a decidedly Allenish romp.
By:
PETER KEOUGH
| June 09, 2011
Review: Judy Moody and the Not Bummer Summer
This is a film that needs Ritalin
The mood never dips below the high end of mania in John Schultz's punishing adaptation of Megan McDonald's children's book series.
By:
PETER KEOUGH
| June 09, 2011
Review: X-Men: First Class
"Mutant and proud!" indeed
"Mutant and proud!" indeed
By:
PETER KEOUGH
| June 09, 2011
Review: Nostalgia for the Light
The Atacama desert in Chile offers natural wonders — as well as horrors
The driest place on earth is the Atacama desert in Chile. Ten thousand feet above sea level, it allows astronomers the clearest skies in the world for observing the universe; they gaze as far back as the Big Bang and the origins of the cosmos.
By:
PETER KEOUGH
| June 09, 2011
Essential Skolimowski
The controversial Killing is featured in his HFA retrospective
Vincent Gallo plays an apparent Taliban fighter who escapes from Allied custody and bumps off numerous dumb-ass American troops in his flight to freedom.
By:
PETER KEOUGH
| June 01, 2011
Review: Tree of Life
It's a wonderful Life
The story is primal, but the details are elusive.
By:
PETER KEOUGH
| June 01, 2011
Review: L'amour Fou
Thoretton's portrait of the late Saint Laurent
Pierre Thoretton's lugubrious portrait of the late Yves Saint Laurent (he died in 2008) begins with a 2002 press conference in which the iconic designer announced his retirement from the world of fashion.
By:
PETER KEOUGH
| May 26, 2011
Review: Midnight in Paris
The Modernist playground of '20s Paris
Yet this tartly ironic tour of the Modernist playground of '20s Paris is his funniest movie since Deconstructing Harry (1997), the last time he indulged in such a playful conceit.
By:
PETER KEOUGH
| May 26, 2011
Review: Hobo With A Shotgun
Gut-wrenching rhythms
Like Machete , Jason Eisener's danse macabre started as a two-minute faux trailer in Quentin Tarantino's Grindhouse .
By:
PETER KEOUGH
| May 26, 2011
Review: The Hangover Part II
Darker and more desperate
Amnesia might be the key to enjoying Todd Phillips's reprise of his 2009 hit comedy, since it follows by rote the formula set up in the original.
By:
PETER KEOUGH
| May 26, 2011
Review: Legends of the Fist: The Return of Chen Zhen
A pastiche of genres
Fight sequences and jingoism propel Andrew Lau's period martial-arts melodrama, a formula that can be irresistible despite one's better judgment.
By:
PETER KEOUGH
| May 19, 2011
Review: Dream Home
Edmond Pang Ho-Cheung's erratic thriller
You can't really blame Cheng Lai-sheung (Josie Ho) for killing people in her effort to obtain the title dwelling of Edmond Pang Ho-Cheung's erratic thriller, a flat in a high-rise in Hong Kong's posh Victoria Harbor.
By:
PETER KEOUGH
| May 19, 2011
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| March 24, 2013 at 11:09 AM
Mo Takes His Turn
March 21, 2013 at 12:59 PM
[Q&A] KMFDM's Sascha Konietzko on art, Columbine and having balls
On The Download
| March 18, 2013 at 3:22 PM
See this film series: The Belmont World Film Series @ Studio Cinema in Belmont
Outside The Frame
| March 18, 2013 at 11:00 AM
See this film: This is Spinal Tap [with post-film talk by expert from Acoustical Society of America] @ the Coolidge
March 17, 2013 at 12:00 PM
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