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Gamm's Festen; plus Whistler's Fen

Last supper
"Denmark's a prison," opined Hamlet some 400 years ago.
By CAROLYN CLAY  |  February 01, 2012

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Green Eyes at the Ames; Robbie McCauley's Sugar

Suite stuff
Forget the Hotel California; welcome to the Hotel Tennessee.
By CAROLYN CLAY  |  January 24, 2012

Tribute to God of Carnage

Huntington pays tribute to God of Carnage

Parent flap
If Lord of the Flies wanted an upscale-urban bookend, it could do worse than God of Carnage (presented by the Huntington Theatre Company at the BU Theatre through February 5).
By CAROLYN CLAY  |  January 18, 2012

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Red explores Rothko's emotional palette

Scarlet fever
Mark Rothko sees red in Red — and not just when staring hard at his iconic Seagram murals.
By CAROLYN CLAY  |  January 10, 2012

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David Wheeler, 1925–2012

In memoriam
Why did news of David Wheeler's death last week come as such a shock?
By CAROLYN CLAY  |  January 11, 2012

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Apollinaire's progressive Uncle Vanya

Moveable feast
Guns go off in Uncle Vanya. And in Apollinaire Theatre Company's production (at Chelsea Theatre Works through January 22), the title character is one of them.
By CAROLYN CLAY  |  January 04, 2012

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Dueling stages

When it came to home teams vs. visitors, audiences were the winners
It's been the visitors versus the home teams this year.
By CAROLYN CLAY  |  December 20, 2011

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Kathleen Turner can't save High

Wasted
The most shocking thing about High (at the Cutler Majestic Theatre through December 11) is not that Kathleen Turner plays a nun.
By CAROLYN CLAY  |  December 13, 2011

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Three Viewings; Ultimate Christmas (abridged)

Death takes a holiday
Instead of sugarplums, New Repertory Theatre is serving up funeral meats.
By CAROLYN CLAY  |  December 06, 2011

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Ain't Misbehavin' at Lyric Stage

Fats entertainment
If the current campaign against obesity means we have to hate Fats Waller, well, to hell with it.
By CAROLYN CLAY  |  November 29, 2011

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Company One owns The Brother/Sister Plays

Louisiana purchase
Symbolism blows over swampland in The Brother/Sister Plays , a hypnotic trilogy making its area debut courtesy of Company One (at the BCA Plaza through December 3).
By CAROLYN CLAY  |  November 16, 2011

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Mabou Mines deconstructs Ibsen, plus The Civilians

In the Heights
I have been looking forward to this Obie-winning allegory built on Ibsen's A Doll's House since it opened in New York in 2003.
By CAROLYN CLAY  |  November 08, 2011

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Cambridge moves to Boston in Before I Leave You

Autumn garden
Fear of mortality is a domino in Before I Leave You, the play with which 72-year-old dramatist Rosanna Yamagiwa Alfaro, who has been flexing her inky fingers in Cambridge for 40 years, enters the big time.
By CAROLYN CLAY  |  November 02, 2011

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Tina Packer explains the Bard for you

Will power
Tina Packer has been in bed with Shakespeare for at least 40 years.
By CAROLYN CLAY  |  October 25, 2011

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Lyric's Or, mines the Restoration

Before and aphra
Liz Duffy Adams's dramaturgical homage, Or, , is more florid than floral and sometimes clever bordering on cute. But the play, being given a brisk area premiere by the Lyric Stage Company of Boston (through November 6), is ingenious.
By CAROLYN CLAY  |  October 18, 2011

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Lyric Stage navigates Big River

Finn tuning
Compared to the mighty Mississippi, Big River is just a Tony-winning tributary. But to borrow a lyric from its composer, Roger Miller, the show climbs on the river's back and rides.
By CAROLYN CLAY  |  September 13, 2011

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Groundlings, rejoice: The 11 most anticipated theater shows of the fall

Stage worthies
Fall came early to Boston boards this year, bringing with it "Summertime."
By CAROLYN CLAY  |  September 14, 2011

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I loves you, Porgy

The A.R.T. streamlines a classic
So shoot me, Porgy purists. To my mind, the retooling of The Gershwins' Porgy and Bess for American Repertory Theater is compelling enough to push past quibbles.
By CAROLYN CLAY  |  September 02, 2011

Brits, Yanks, and Horovitz still fighting over Beverley

Dockside doll's house
What if Nora Helmer had waited until she turned 70 to slam that door heard 'round the world?
By CAROLYN CLAY  |  August 30, 2011

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Tina Packer tackles Molly Ivins

Patriot game
Red Hot Patriot is the work of twin-sister journalists Margaret and Allison Engel, the former the head of the Alicia Patterson Foundation, which awards journalism fellowships, the latter communications director for the University of Southern California.
By CAROLYN CLAY  |  August 23, 2011
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