Salem's spookiest tourist traps

By GREG COOK  |  October 21, 2011

whistory

WITCH HISTORY MUSEUM
A costumed guide leads a tour through an artificial Christmas-tree forest where mannequin girls dance around a fire and a robotic man gets them to sign his satanic book. Guide: "There was no one meeting in the woods. This was simply a story to keep the young girls amused." See Tituba and the girls, a witch in a wood with a black cat, Gallows Hill, and squeaky animatronics. Highlight: a ghost mannequin of Giles Cory materializes among a grove of artificial trees via special flashing light effect as a recording explains, "His ghost appears in the burying grounds before times of great calamities."

197 Essex Street | $8 | 978.741.7770 | witchhistorymuseum.com

<< first  ...< prev  5  |  6  |  7  |  8  |  9  |  10  |  11  |  12  |  13  |  14  |   next >...  last >>

9 of 18 (results 18)
  Topics: Lifestyle Features , Salem, halloween10, Museums,  More more >
| More


Most Popular
ARTICLES BY GREG COOK
Share this entry with Delicious
  •   A REALLY BIG SHOW!  |  May 21, 2013
    This showcase of tomorrow's-art-stars-today is both invigorating and overwhelming, with work by 194 students.
  •   CLOTHES MAKE THE MAN  |  May 13, 2013
    What does it mean to be a man? That's the question at the heart of this smart, sumptuous exhibit — one of the best shows in the region this year.
  •   MERRY PRANKSTERS  |  May 07, 2013
    Parked out front of Brown University's gray modernist Granoff Center on a recent sunny morning were one of those 15-foot-tall inflatable rats that unions install in front of businesses they're protesting and a limousine sloppily painted to resemble a yellow and black school bus.
  •   ALTERED IMAGES  |  April 30, 2013
    Among the handsome Washington Street storefronts of AS220's renovated Mercantile Block building, with their neo-old-timey signs, is the residents' entrance to the building. It is against AS220's religion to leave any space empty that can be filled with art. So the lobby is the AS220 Resident Gallery, which occupants of the building take turns filling with their stuff.
  •   IN THE CITY  |  April 23, 2013
    One of the distinguishing characteristics of the Providence art scene is how the city itself has been such a rich subject. A decade ago, the city became a galvanizing topic as artists fought to protect the old mills that served as their homes and studios from demolition — with mixed success. But lately, the community's industrial architecture itself has attracted artists' attention.

 See all articles by: GREG COOK