The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Review: How I Killed Mumblecore

The answer: from within
By GERALD PEARY  |  September 1, 2010
2.0 2.0 Stars

 

The probably after-the-fact title holds some truth — this Chicago indie film destroys the "mumblecore" film movement by repeating what has been done to death in a dozen similar films. That is, post-collegiate characters working dead-end office jobs ignore the world at large while obsessing, via barely articulated improvs, about their maddeningly miniature love problems.

Here, Devin (Cassandra Bissell) convinces herself that her boyfriend, Benjamin (Brandon Hutchinson), has a crush on her office friend Emily (Gizelle Alverio).

For much of the movie, who cares? But somewhere in the second half, the film kicks in, the actors gain conviction, and the tiny story begins to work. In any case, Brandon Hutchinson — who wrote, directed, acted, and, maybe best, edited — is a talent to watch.

Related: Review: The Road, Review: Bad Lieutenant: Port of Call New Orleans, Review: Oh My God, More more >
  Topics: Reviews , Entertainment, Movies, mumblecore
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/12 ]   69˚S [The Shackleton Project]  @ Paramount Theatre
[ 02/12 ]   Boston Lyric Opera conducted by David Angus  @ John F. Kennedy Library and Museum
[ 02/12 ]   Stephen Petronio Company  @ Institute of Contemporary Art
ARTICLES BY GERALD PEARY
Share this entry with Delicious
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: ANIMATED  |  February 08, 2012
    One film stands out among the Animated Shorts, Amanda Forbis and Wendy Tilby's Wild Life .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: LIVE ACTION  |  February 07, 2012
    The Oscar nominees for Live Action Shorts come down to five conventional narratives.
  •   REVIEW: ALBERT NOBBS  |  January 26, 2012
    Lesbianism doesn't exist as a cogent category in 19th century Ireland, which could explain why Albert Nobbs (Glenn Close), a woman disguised for years as a man and employed as a Dublin waiter, has no personal understanding of who she is, her identity, or what she feels.
  •   REVIEW: SILENT SOULS  |  January 17, 2012
    This is probably the only film we'll encounter about the Merja culture of West Central Russia, a Finno-Ugric tribe in which even the most modernized people pay allegiance to ancient customs.
  •   REVIEW: HELL AND BACK AGAIN  |  January 05, 2012
    Winner of the Grand Jury Prize at the 2011 Sundance Film Festival, Hell and Back Again offers a potent documentary correlative to the narrative of The Hurt Locker .

 See all articles by: GERALD PEARY

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed