The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Provoked

A caricature of good and evil
By PETER KEOUGH  |  May 17, 2007
1.5 1.5 Stars
inside_provoked
PROVOKED: Kiranjit Ahluwalia's true story reduced to a crude cartoon.

Last week I complained that Stephanie Daley was a little obtuse about the issues involved in its subject, teen infanticide. This film demonstrates how the opposite can be worse. In 1989, a Punjab immigrant, Kiranjit Ahluwalia (a stunning Aishwarya Rai), set fire to her husband (Naveen Andrews) after years of abuse. The man died, Ahluwalia went to jail for murder, and the case became a cause célèbre that eventually led to an appeal, her early release, and the passing of an enlightened law regarding the prosecution of abuse victims. Very inspiring, but when reduced to a crude cartoon all it provokes is annoyance. Telling the story through clumsy flashbacks that culminate in a montage of “greatest hits” leading up to the torching, director Jag Mundhra reduces the tragedy to caricatures of good and evil. Rai offers a single expression of wide-eyed, non-comprehending terror, and nothing in her performance or the film shines any light into the heroine’s resistance or her redemption.

Related: The Last Legion, I Want Someone to Eat Cheese With, The Golden Age of Comics, More more >
  Topics: Reviews , Entertainment, Movies, Movie Reviews,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/16 ]   3rd Annual Boston Chili Cup  @ Ned Devine's
[ 02/16 ]   Boston Conservatory Dance Division  @ Boston Conservatory Theater
[ 02/16 ]   Jim Gaffigan  @ Wilbur Theatre
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed