The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Flash of Genius

An unexciting, earnest homily
By PETER KEOUGH  |  October 1, 2008
2.0 2.0 Stars

flashofgeniusinside.jpg

The title of Marc Abrahams’s first feature refers to the “eureka” moment that the US patent people insist must occur if an inventor is to prove that an idea is his own. Bob Kearns (a humble and seedy Greg Kinnear), an engineering professor at a small college, gets his inspiration while driving the wife and their six kids back home from church during a rainstorm. His brainstorm, the intermittent windshield wiper, proved a gold mine — for the Ford Motor Company. As Francis Coppola pointed out in Tucker, little guys with big dreams always get squashed by the corporations. Kearns, however, persevered for years trying to beat the system, and it all ends in an extended courtroom drama that’s less exciting than you might expect. Abrahams, alas, shows no flashes of his own, grinding out an earnest homily the moral of which, it would seem, is not to trust a business partner if he’s played by Dermot Mulroney. 119 minutes | Boston Common + Fenway + Kendall Square + West Newton + Suburbs

Related: Review: Green Zone, Review: The Last Song, Review: I Don't Know How She Does It, More more >
  Topics: Reviews , Francis Ford Coppola, Greg Kinnear, Greg Kinnear,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/18 ]   "Boston Facial Hair Fiasco!"  @ Church of Boston
[ 02/18 ]   Cuffs + Woollen Kits + Headband  @ Plough & Stars
[ 02/18 ]   The Ducky Boys + Hudson Falcons + Energy  @ Great Scott
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed