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Review: Is Anybody There?

Bored boy befriends down-and-out magician
By PEG ALOI  |  April 29, 2009
3.0 3.0 Stars


VIDEO: The trailer for Is Anybody There?

This seems to be the year for nostalgia films. Here we have relative newcomer John Crowley directing an English working-class yarn from Peter Harness's autobiographical script.

It's 1987, and young Edward (Bill Milner) lives in an old-folks' home run by his parents. Mum (Anne-Marie Duff) is sweet and dedicated, Dad (David Morrissey) is harried and headed for a midlife crisis. Bored and cranky, Edward passes the time trying to record the psychic reverberations of the recently departed. When a down-and-out stage magician named Clarence (Michael Caine) shows up, a grudging friendship develops.

Despite the treacle (unavoidable given the premise), the film treats its characters as flawed and fallible: Clarence's broken widower's heart is revealed to be something less innocent. And Caine's own magical career is mirrored in Clarence's cockney slang, his sad regret, and his bag of tricks.

Related: Shuffling off to infamy, Crossword: ''Hit the bricks'', Darkness falls in the Dark Knight, More more >
  Topics: Reviews , Michael Caine, Michael Caine, Michael Caine,  More more >
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ARTICLES BY PEG ALOI
Share this entry with Delicious
  •   REVIEW: THE GIRL FROM MONACO  |  July 01, 2009
    This sensual tale of dangerous love comes from writer/director Anne Fontaine ( Dry Cleaning , How I Killed My Father ).
  •   REVIEW: SUMMER HOURS  |  May 19, 2009
    In his understated, intricate L'heure d'été , Olivier Assayas comments on globalization and materialism by way of a simple story of three siblings dividing the contents of their mother's estate in rural France.
  •   REVIEW: IS ANYBODY THERE?  |  April 29, 2009
    This seems to be the year for nostalgia films. Here we have relative newcomer John Crowley directing an English working-class yarn from Peter Harness's autobiographical script.
  •   REVIEW: PARIS 36  |  April 07, 2009
    Director Christophe Barratier (Les Choristes) co-wrote this nostalgic paean to 1930s Paris and the stage musical.
  •   REVIEW: THE LAST HOUSE ON THE LEFT (2009)  |  March 18, 2009
    Critics and audiences reviled Wes Craven's 1972 original, but its raw power gave it an enduring, endearing legacy.

 See all articles by: PEG ALOI

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