The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Review: The Brothers Bloom

Too much nudging and winking
By PETER KEOUGH  |  May 20, 2009
2.5 2.5 Stars


VIDEO: The trailer for The Brothers Bloom

Some have criticized Rian Johnson for being too clever in his follow-up to the overpraised Brick, but I think it's his cuteness that's the problem. Cute as in an opening introduction with overwritten voice-over narration (Ricky Jay) featuring the two brothers as tykes in fedoras and shades pulling off a scam.

Cute as in the two con men, Bloom (Adrien Brody) and Stephen (Mark Ruffalo), now adults and operating with a woman named Bang Bang (Rinko Kikuchi) who has a thing for explosives. I almost went with the montage of their latest mark, heiress Penelope Stamp (Rachel Weisz), as she shows her skill at the piano, the accordion, and a unicycle, but I balked at the watermelon camera.

The way Stephen's storyboarded schemes parallel the filmmaking process and its questioning of reality and illusion shows worthy ambition, but is the naked steal from The Sting a cute allusion or mere plagiarism? Too much nudging and winking make this Bloom wilt.

Related: Review: Agora, Review: Where the Wild Things Are, Review: The Lovely Bones, More more >
  Topics: Reviews , Rachel Weisz, Rachel Weisz, Rian Johnson,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/18 ]   "Boston Facial Hair Fiasco!"  @ Church of Boston
[ 02/18 ]   Cuffs + Woollen Kits + Headband  @ Plough & Stars
[ 02/18 ]   The Ducky Boys + Hudson Falcons + Energy  @ Great Scott
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: CORIOLANUS  |  February 16, 2012
    In a line of fascist-style stagings of the Bard from Orson Welles's 1937 black-shirted Julius Caesar to Richard Loncraine's brown-shirted Richard III (1998), Ralph Fiennes sets his lean and hungry take on Shakespeare's tragedy in a mo dern-day war zone, paring the play to a brisk two hours.
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed