The Phoenix Network:
 
 
About  |  Advertise
 
Features  |  Reviews
Best2012Vote-1000x50

Review: Dust

Resistance is futile, make the most of it
By PETER KEOUGH  |  May 19, 2009
3.0 3.0 Stars


VIDEO: The trailer for Dust

German documentarian Hartmut Bitomsky (whose fine B-52 can be also seen this week, Thursday at the Harvard Film Archive) likes to make movies about how things are put together and how they come apart. His 2007 Dust (German title Staub) gets down to basics, examining the particulate that's the fundamental building block and by-product of just about everything, from the grain in film grain to the vast clouds of exploding stars that are constantly recycling into new stars.

A collection of wry profiles of experts and tyros obsessed with the subject, the film shows us how dust is used (pigments for paint, material for oddball sculptures) and abused (asbestos released from razing a huge government building in Berlin that is a relic of the Communist regime). It ponders how dust is created and removed; in the latter case, as the narrator points out to a cleaning-obsessed woman, resistance is futile.

Best to make the most of it, as this film certainly does.

Related: Quarantine, Review: Cloudy With a Chance of Meatballs, Review: Alien Trespass, More more >
  Topics: Reviews , Entertainment, Movies, Harvard Film Archive,  More more >
| More

 Friends' Activity   Popular   Most Viewed 
[ 02/16 ]   Boston Conservatory Dance Division  @ Boston Conservatory Theater
[ 02/16 ]   Jim Gaffigan  @ Wilbur Theatre
[ 02/16 ]   "Raw Milk Debate"  @ Harvard Law School
ARTICLES BY PETER KEOUGH
Share this entry with Delicious
  •   REVIEW: SAFE HOUSE  |  February 15, 2012
    Daniel Espinosa's over-edited but engaging spy thriller delves into edgy territory untouched by any of the numerous movies it imitates: it has Brendan Gleeson do an American accent.
  •   REVIEW: THE SECRET WORLD OF ARRIETTY  |  February 15, 2012
    The most touching love story and best children's movie in a long time, Hiromasa Yonebayashi's adaptation of Mary Norton's book The Borrowers employs old-fashioned animation techniques to create a world that is familiar, uncanny, and luminous.
  •   REVIEW: RAMPART  |  February 15, 2012
    The rotten cop flick has become a mini-genre of sorts, a subset of noir, going back at least to Orson Welles's Touch of Evil .
  •   REVIEW: THE OSCAR NOMINATED SHORT FILMS 2012: DOCUMENTARY  |  February 10, 2012
    The films in this program contain some of the most powerful images to be seen on the screen this year.
  •   REVIEW: JOURNEY 2: THE MYSTERIOUS ISLAND  |  February 07, 2012
    I liked the tiny elephants and the Rock bouncing berries off his pecs, but Brad Peyton's sequel is as bad as the 2008 original.

 See all articles by: PETER KEOUGH

MOST POPULAR
RSS Feed of for the most popular articles
 Most Viewed   Most Emailed