The Phoenix Network:
 
 
 
About  |  Advertise
 
Features  |  Reviews
FIND MOVIES
Movie List
Loading ...
or
Find Theaters and Movie Times
or
Search Movies
WFNX_1000x50g

Review: Creation

The origin of specious
By GERALD PEARY  |  January 20, 2010
1.5 1.5 Stars

God-fearing creationists won't find anything to worry them in Jon Amiel's stiff, stodgy, PBS-style telling of the life of Charles Darwin (Paul Bettany) during the time he was writing (slowly, very slowly) The Origin of Species. This Darwin is wimpy, sickly, ineffectual, and accused by his favorite daughter of being a procrastinator.

He's scared of his own heretical theories of natural selection — he fears that British society will fall apart, and, worse, he's alienating his cold, church-going wife (Jennifer Connelly). The Darwin story recast as a domestic melodrama could be interesting (think Brecht's Galileo), but this version is offered without wit or irony. What a mundane, disappointing comedown from Amiel, maker of the wondrous The Singing Detective.

Related: Photos: Bike Porn at the Brattle (NSFW), Review: Blood Into Wine, Jewishfilm.2010, More more >
  Topics: Reviews , Entertainment, Culture and Lifestyle, Religion,  More more >
| More

ARTICLES BY GERALD PEARY
Share this entry with Delicious
  •   REVIEW: ELENA  |  May 30, 2012
    Andrei Zvyagintsev's film, a Special Jury Prize winner at Cannes 2011, becomes more than a domestic melodrama: a grim, effective allegory of the daily whirl in Putinland.
  •   REVIEW: I WISH  |  May 22, 2012
    Two elementary school brothers living in southern Japan are forced to live in different cities due to the estrangement of their parents.
  •   REVIEW: SURVIVING PROGRESS  |  May 15, 2012
    Despite prestigious talking heads like Margaret Atwood, Jane Goodall, and Stephen Hawking, there is nothing new here beyond what every conscientious liberal already knows is wrong with the world.
  •   REVIEW: HEADHUNTERS  |  May 08, 2012
    Roger (Aksel Hennie) is an Oslo yuppie with a gorgeous, blonde wife, a top-drawer job as a corporate headhunter, and a lucrative side employment stealing fancy paintings.
  •   REVIEW: ELLES  |  May 08, 2012
    How did the Polish filmmaker Malgoska Szumowska dupe the classy Juliette Binoche to participate in such a dubious, exploitative film?

 See all articles by: GERALD PEARY



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group