Steady business

By CHRIS CONTI  |  June 2, 2010

Landlords & Lullabies boasts more of Reason's slick quips and punchlines, necessitating the aural double-take when zipping through bars on "Girls with Cameras" and the new single "I Don't Want to Build," but Reason sounds more coolly confident on Landlords, and the opening four cuts are some of Reason's finest yet. Falside's funky percussion escorts Reason on the opener "Apocalyptic Sunrise," ESH loops drunken saloon piano on "Release," Storm Davis and Reason address trust fund "starving artists" on "Designer Kids," and "Paid Bills" (which debuted on The Ocean State Sampler, a free download available at PotHolesInMyBlog.com) proves why Falside and Reason make a nice tandem. No filler (or nonsense skits) here, as the latter-half cuts hold their own, from the funky Dox-produced jam "The Touch" to the new single "I Don't Want to Build," addressing wannabe "genre-hopping" Internet emcees. And a nominee for double entendre of the year goes to ESH on "Distracted": "Deep in a hole like Courtney Love on Ketamine."

FALSIDE.COMMYSPACE.COM/REASON | Hit up PoorlyDrawnPeople.com for info on all past, present, and future PDP REC releases

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