The Phoenix Network:
 
 
 
About  |  Advertise
 
Big Hurt  |  CD Reviews  |  Classical  |  Jazz  |  Live Reviews  |  Music Features
Best_2012_1000x75_Alt

Van Halen | A Different Kind of Truth

Interscope
By MICHAEL CHRISTOPHER  |  February 8, 2012
4.0 4.0 Stars

VH-M
Who would've thought Eddie Van Halen would still be innovative in his late 50s? This time it's not as a guitar hero, but by leading a bunch of grizzled old men (and his 20-year-old son, Wolfgang, on bass) through what is the first comeback album in history by an iconic rock act that stands up against anything else on the shelves today. For those who "meh" in response to first single "Tattoo," you've been rope-a-doped: this is the mighty Van Halen at their best. The unfortunately titled "Honeybabysweetiedoll" has Edward dropping into D-tuning à la Pantera; otherwise he's fingering the frets at breakneck speed. The solo on "China Town" is his fastest at least since "Eruption," and maybe ever. Everywhere else he plays with a scorching determination that will send axe-slinging wannabes back to lessons. David Lee Roth seems rejuvenated in the driver's seat for the first time in 28 years, never cheesy, performing head spinning linguistic gymnastics. The banshee scream may be age-tempered — the attitude isn't. Sure, half of the tracks are reworked demos from decades ago, but this is a classic Van Halen disc — why not mine the period that brought the original fire?

VAN HALEN | TD GARDEN, 100 Legends Way, Boston | March 11 @ 7:30 pm | $47-147 | 617.624.1050

Related: Various Artists | Casual Victim Pile: Austin 2010, Bearstronaut | Broken Handclaps, Avi Buffalo | Avi Buffalo, More more >
  Topics: CD Reviews , Music, Arts, Van Halen,  More more >
| More

ARTICLES BY MICHAEL CHRISTOPHER
Share this entry with Delicious
  •   THE CULT | CHOICE OF WEAPON  |  May 15, 2012
    Second acts are hard enough to deliver successfully in the pantheon of hard rock, so it's surprising then that the Cult, now well into their third go-round, still give their audience exactly what they crave.
  •   PANTERA | VULGAR DISPLAY OF POWER [20TH ANNIVERSARY REISSUE]  |  May 08, 2012
    By 1992, metal fans were in desperate need of fresh bombast. Metallica had gone mainstream with radio-friendly singles like "Nothing Else Matters," Rob Halford left Judas Priest the year prior, and Iron Maiden had long ago stopped delivering vital material.
  •   ELEVEN BOSTON ROCK BANDS GO FOR A RIDE  |  May 03, 2012
    Out of all the bands that toed the line between shoegaze and Britpop at the dawn of the '90s, perhaps none have been more overlooked than Ride.
  •   SILVERSUN PICKUPS | NECK OF THE WOODS  |  May 01, 2012
    Following a somewhat disappointing sophomore release, it appeared as if the jig was up for these alt-rock throwbacks that made a name by nicking the best of the Smashing Pumpkins.
  •   DRY THE RIVER | SHALLOW BED  |  April 17, 2012
    Just what the world needed: Mumford & Sons put into a blender with Fleet Foxes, served with an Arcade Fire garnish— it's like a late-aughts hipstercocktail.

 See all articles by: MICHAEL CHRISTOPHER



  |  Sign In  |  Register
 
thePhoenix.com:
Phoenix Media/Communications Group:
TODAY'S FEATURED ADVERTISERS
Copyright © 2012 The Phoenix Media/Communications Group