BAT FOR LASHES, THE HAUNTED MAN [Capitol; October 23] » Natasha Khan ghost-dances her way back into our consciousness with this piano-plinking cycle, moving past the glistening tribal beats of her 2009 smash Two Suns in favor of a searing starkness and lonely caverns of space and sound.  

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ARTICLES BY DANIEL BROCKMAN
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  •   THE STROKES | COMEDOWN MACHINE  |  March 18, 2013
    The Strokes burst out in a post-9/11 musical world with a sound that was compact and airtight, melodies coiled frictionlessly in beats and fuzzed vocals.
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    We all know that there is nothing more metal than a war.
  •   WHAT'S F'N NEXT? CHVRCHES  |  February 01, 2013
    If you are in a band and you've heard of Chvrches, you probably hate them.
  •   GLISS | LANGSOM DANS  |  February 01, 2013
    If rock and roll is three chords and the truth, then the mutant genre offspring shoegaze can be summed up as one chord, three fuzzboxes, and a sullen, muttered bleat.

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