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CD Reviews
Black Milk
Popular Demand | Fatbeats
By
MATTHEW GASTEIER
|
March 19, 2007
BLACK MILK, POPULAR DEMAND
" alt="photo of 'BLACK MILK, POPULAR DEMAND'">
2.5
Stars
After a 2006 that saw the loss of two local legends, D12’s Proof and J. Dilla, Detroit appears set for a banner year, with Black Milk leading the charge. At 23, he’s already done production work for Slum Village, Pharoahe Monch, and even G-Unit member Lloyd Banks. So no surprise that
Popular Demand
is razor sharp. Beats creep and pounce while he tosses out crackling soul samples on one track, quick keyboard riffs on the next, unifying the disc with the warm blanket of the electronic sound that defines Detroit hip-hop. The bad news is that his rapping isn’t on the same level as his studio skills: his rhymes are witty enough, but he lacks a distinctive style, suggesting instead Ludacris, Jay-Z, occasionally Eminem. The guest MCs often overshadow him, particularly Guilty Simpson, another rising star whose upcoming debut is one more positive omen for Detroit. Still,
Popular Demand
cements Black Milk’s reputation as a producer while revealing some MC potential.
Related
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After-party
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Brit-hop - side
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9th Wonder and Buckshot
Although the term is often bandied about, 9th Wonder has become a true super-producer in recent years.
After-party
Don’t be surprised if you hear yourself shouting, “Rewind Selektah!”
Brit-hop - side
Backed the f*** up
I wasn’t the only one held back from “Rock the Bells” by fleets of ugly persons driving Chevy Avalanches.
Just the 11 of us
De La Soul believe that three is the magic number. My college girlfriend thought it was 55, not counting guys she only blew.
The Big Hurt: Dare to meme
Apologies in advance for the YouTube clip of 2009
All in the Fam
Halfway through my interview with the Allston-based alt-hop collective Fameless Fam about their upcoming showcase at Wonder Bar this Tuesday, Will from the posse's glitch-minded duo Time Crisis mentions that he went to high school in Pittsburgh with rising rap sensation Wiz Khalifa.
Akrobatik
One of the hallmarks of Akrobatik’s style has always been his sincerity.
K-OS
In American hip-hop, nice guys don’t just finish last — they’re lucky to leave the starting gate.
Sean Price
Like MF Doom before him, Sean Price has switched personae, reconfigured his style, and given his underground hip-hop career a second life in recent years.
Open M.I.C.
Boston MCs are banding together under the banner of the Mass. Industry Committee.
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Celebrity News
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ARTICLES BY MATTHEW GASTEIER
UGK
| September 18, 2007
Underground Kingz is not quite an instant classic, but it would be hard to deny that UGK have reclaimed their throne.
TALIB KWELI
| August 20, 2007
Ear Drum doesn’t reach the highs of that far more ambitious and sprawling album, but it’s a welcome return to form.
SKILL RIDE
| July 17, 2007
All it took was a Godzilla sample and a simple, forceful “Simon says get the fuck up” for Pharoahe Monch to leave his mark on hip-hop history.
THE HATE-LOVE-HATE CYCLE
| June 18, 2007
The field is already packed with newcomers and veterans alike, all aiming to knock down my standards of good taste and respectability . . .
DIZZEE RASCAL
| June 12, 2007
Boy in da Corner may be the classic Dizzee will be forced to chase for the rest of his career.
See all articles by:
MATTHEW GASTEIER
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