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EMA | Past Life Martyred Saints
CD Reviews
The Hives
The Black and White Album | A+M/Octone
By
WILL SPITZ
|
November 19, 2007
THE HIVES, THE BLACK AND WHITE ALBUM
" alt="photo of 'THE HIVES, THE BLACK AND WHITE ALBUM'">
2.0
Stars
Call me crazy, but I consider
Tyrannosaurus Hives
— the Hives’ 2004 follow-up to their breakthrough album,
Veni Vidi Vicious
— to be one of the best punk-rock albums of all time, right up there with
The Ramones
,
The Clash
,
Never Mind the Bollocks
. . . , and
Dookie
. It’s a concise, smart, funny, ferocious album recorded by five childhood chums at the height of their powers, no matter what Jimmy Iovine tells you. Well, you can file The Black and White Album under “disappointment.” With a few notable exceptions (“Square One Here I Come,” “Bigger Hole To Fill”), the band’s apparent desperation to invent the best rock riffs you’ve ever heard — the main reason VVV and T. Hives were so addictive — has been replaced by a desperation to write songs that sound good in sneaker commercials and extreme-skiing movies. Couple those relatively rote exercises in get-pumped anthem making with tepid forays into disco (the Pharrell Williams–produced “T.H.E.H.I.V.E.S.,” “Giddy Up”) and filler material — at 45 minutes,
Black and White
is a quarter of an hour longer than each of its predecessors — and you’ve got one bummer of a follow-up.
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,
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,
Temple talk
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Is this the way new wave ends?
This article originally appeared in the February 27, 1979 issue of the Boston Phoenix .
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Temple captures the chaos of Strummer’s early years, with overlays of interviews with him and footage from the era.
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Julien Temple was one of the first filmmakers on the scene when punk erupted in the UK.
Double visionary
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Gabel, Gabel, hey!
New Wave ’s opening title track makes as much of its referential moniker as the Clash did of the phrase “London Calling.”
Post-punk pantheon
They were, by definition, misfits.
Boston music news: February 2, 2007
Local filmmaker Chris DiNunzio was working on a short horror movie titled “Miscreant” when he decided to take a break and help out his older brother Ralph, guitarist in the ’80s-’90s Boston hardcore punk band Wrecking Crew.
Historical fictions
There are Clash fans, and then there are Clash fans . And three more boxes: Gift ideas for the music fan on your list. By Matt Ashare
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The Clash | Harvard Square Theatre | February 16, 1979
Punk education
Many of us like to say that rock and roll saved our lives. In Michael Patrick MacDonald’s case, the common hyperbole may be simple truth.
Less
Topics
:
CD Reviews
,
Entertainment
,
Music
,
Pop and Rock Music
,
More
,
Entertainment
,
Music
,
Pop and Rock Music
,
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,
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,
Jimmy Iovine
,
Pharrell Williams
,
THE HIVES
,
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ARTICLES BY WILL SPITZ
WORLDS COLLIDE
| February 03, 2009
A week ago Wednesday and Thursday, a curious collection of young scruffy indie kids and older scruffy MIT eggheads converged on the school's Broad Institute for two nights of free music, art, and lecture dubbed "Darkness Visible."
GONE, BABY, GONE
| January 09, 2009
Boston bids farewell to one of its brightest spots — the row of six diverse and delectable restaurants on Peterborough Street that were consumed by a four-alarm fire early Tuesday morning.
A FLAIR FOR THE DRAMA
| January 09, 2009
"There's not enough hype in the world for Glasvegas," old reliable hypemonger NME recently proclaimed. But that doesn't mean the magazine and the rest of the British music press aren't trying.
FANS CHEER; EARTH WEEPS
| August 19, 2008
It’s a bummer that the four-plus hours I spent in my car feeling guilty about barfing loads of carbon into the air is most salient in my mind, because, as always, Radiohead delivered an awe-inspiring show.
LAUGH AT THE END OF THE WORLD
| August 19, 2008
The two guys who make up Clawjob have an unnerving tendency to describe something as funny when it’s anything but.
See all articles by:
WILL SPITZ
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