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EMA | Past Life Martyred Saints
CD Reviews
Oneida
Preteen Weaponry | Jagjaguwar
By
MICHAEL PATRICK BRADY
|
July 29, 2008
ONEIDA, PRETEEN WEAPONRY
" alt="photo of 'ONEIDA, PRETEEN WEAPONRY'">
2.5
Stars
As the first in a planned trilogy of releases titled
Thank Your Parents
, Oneida’s
Preteen Weaponry
is a fair introduction to the band’s stripped-down, elemental nature. Fashioned after their free-spirited, improvisational live performances, the album is one 39-minute song divided into three parts, even though you’re supposed to listen to them as a whole. Oneida make no attempt to provide context; they simply launch into the largely instrumental performance and allow listeners to find their own way. The band wear their influences on their sleeves: the oscillating organ on “Part 1” is reminiscent of Suicide’s “Rocket U.S.A.,” and the steady, engaging beats tapped out by drummer Kid Millions are unmistakably krautrock. “Part 2” introduces some welcome drama, lurching ghoulishly amid the scorched landscape of rumbling keyboards and squealing acid guitar. Oneida have always been a thick stew of different influences, but usually with a dash of originality to bind it together;
Preteen Weaponry
never rises above pastiche. Nevertheless, the band’s hypnotic drone sweeps through the album like a swift current — it’s enough to generate anticipation for their future travels.
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Since forming in the late ’90s, Oneida have been one of the most compelling and adventurous bands to emerge out of Brooklyn.
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Mi Ami | Watersports
After a contentious stint with DC rockers Black Eyes, Daniel Martin-McCormick and Jacob Long moved west to clear their heads and take control of their musical destiny.
Jeff Hanson
Hanson has augmented the sparse, acoustic folk of his previous albums with a backdrop of strings and horns, thus giving these songs greater depth and body.
Trans Am | What Day Is It Tonight? Trans Am Live, 1993 - 2008
Trans Am are distillers of guilty pleasures, mixing fat AOR riffs with sleazy electronic accents and a propulsive attitude typically reserved for arcade soundtracks. What Day Is It Tonight? covers the DC-area band’s 20-year history with high-quality, high-energy live cuts taken from their many tours.
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These New Puritans | Hidden
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
David Byrne and Brian Eno
Everything That Happens is a brilliant addition to a creative partnership that has yielded so much and shouldn’t have taken 27 years to rekindle.
Less
Topics
:
CD Reviews
,
Oneida
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ARTICLES BY MICHAEL PATRICK BRADY
THE FALL | YOUR FUTURE OUR CLUTTER
| April 27, 2010
If you didn’t know any better, you might think that Your Future Our Clutter is a recording of a raving old lunatic heckling a very solid instrumental band.
SAM AMIDON | I SEE THE SIGN
| April 15, 2010
Sam Amidon is fascinated with the songbook of old Americana, and his radical yet tasteful reimaginings of traditional folk ballads and hymns breathe new life into a form often seen as quaint and old-fashioned.
RED SPAROWES | THE FEAR IS EXCRUCIATING, BUT THEREIN LIES THE ANSWER
| March 30, 2010
Post-rock bands are like silent-film actors — bereft of words, they tend to use broad gestures to ensure that you get the point.
THESE NEW PURITANS | HIDDEN
| March 09, 2010
Hidden is a real UK horror show, mixing grim, industrial beats with mannered, regal horns and a persistent aura of foggy uneasiness. These New Puritans reveal a penchant for æsthetic violence and revolutionary action that, though rarely convincing, matches the uncompromising intensity and martial tenor of the music.
CLOGS | THE CREATURES IN THE GARDEN OF LADY WALTON
| March 03, 2010
Fusion experimenters Clogs take a modern approach to folk-flavored chamber music.
See all articles by:
MICHAEL PATRICK BRADY
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