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CD Reviews
Ani DiFranco | Red Letter Year
Righteous Babe (2008)
By
TED DROZDOWSKI
|
September 23, 2008
ANI DIFRANCO, RED LETTER YEAR
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4.0
Stars
This is DiFranco’s most sophisticated album, a musical convergence of her best qualities: warm singing, graceful writing, experimentation. Even the title track, which mourns the state of modern American life and the devastation of New Orleans, has a softer bite than most of her earlier discs. DiFranco’s acoustic guitar rings more gently, her singing flows instead of churning out words like machine-gun fire, and the arrangements stack loops with live playing (which includes flourishes from guests like textural trumpet player Jon Hassell and the Crescent City’s Rebirth Brass Band) to create an ear-caressing framework for every track. There’s also a surprising innocence — explicit in the lovestruck lyrics of “Way Tight,” subtle in the worldly “Emancipated Minor” — that keeps DiFranco’s world view generally upbeat, even when she’s crooning lines like “I won’t pray to a male god/’cause that would be insane.”
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Going on sale: September 12, 2008
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Ani and angst
“I look back on my body of work and there’s a lot of moaning and groaning,” says Ani DiFranco.
Get CLOSEr
Festival Ballet Providence’s “Up CLOSE, on HOPE” program is a stunning selection of short classical and contemporary ballet, performed with polish and passion.
Going on sale: September 12, 2008
Chinese Stars, Kings of Leon, Diamond Mines, Tsu Shi Ma Me Re, Ani DiFranco and more.
Primordial stages
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Iron Maiden, Ani DiFranco, Atreyu, Bouncing Souls, Dead Kennedys, Pet Shop Boys, James Blunt, Justin Timberlake, and more.
Covering all the bases
Anais Mitchell took the Club Passim stage with hair freshly cut at Cambridge’s Judy Jetson salon and polled the crowd as to whether it was okay to switch hairdressers within the same establishment.
Dis-Respect
Toward the end of Respect: A Musical Journey, a revue bringing together some four dozen female-associated pop oldies, comes the big moment that’s supposed to represent American womanhood shaking off its shackles and stepping bravely into the future.
Pour some Sugar on me
“I want this company to add substantially to the blues repertoire,” he writes on the label’s site, “and not just come out with the ‘same old, same old.’”
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Classic soul music’s timelessness has come again.
Poli-sci
Comedian Jimmy Tingle is on the stump.
Less
Topics
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CD Reviews
,
Rebirth Brass Band
,
Ani DiFranco
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Ani DiFranco
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ARTICLES BY TED DROZDOWSKI
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| August 23, 2011
Roots rock is the new country and ex-Bostonian Tom Hambridge is the style's current MPV.
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| January 11, 2011
This steaming pile of songs is emblematic of the state of mainstream country music — all artifice, no heart, calculated anthems written to formula and meant, like the film itself, to do no more than capitalize on the genre's current success and rob its undiscriminating fans.
MARC RIBOT | SILENT MOVIES
| November 02, 2010
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IN MEMORIAM: SOLOMON BURKE, 1940 — 2010
| October 11, 2010
REVIEW: RONNIE EARL AND THE BROADCASTERS | SPREAD THE LOVE
| September 07, 2010
Boston-based blues-guitar virtuoso Ronnie Earl seems to be considering his past on his 23rd album as a leader.
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