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Podcast: Salman Rushdie at Harvard's Memorial Church

The power of Sir Salman Rushdie’s work rests in his ability to blend the miraculous (Saleem’s unusually large nose and its ability to smell emotion from Midnight’s Children comes to mind) and the real, allowing us to believe that the supernatural — the extraordinary, the mythic, and the magical — can be a part of everyday life and found in the simplest places (even a nose).

In his latest novel, The Enchantress of Florence, which Rushdie was on hand to read at Harvard’s Memorial Church on Monday night, he employs his trademark magical realism, to varying degrees of success. Lines like “ . . . but the untruth of untrue stories could sometimes be of service in the real world” and his continuous unreal-in-the-real motifs frustrate as much as they wow. And out of all his works, The Enchantress poses the greatest test to our willing-suspension-of-disbelief, primarily because Rushdie himself seems to doubt the feasibility of the events he’s relaying.

At Monday’s sell-out reading in the sweltering Memorial Church, Sir Salman read from the beginning of the love story between Argalia the mercenary fighter (representative of the opulent West) and Kara Koz (of the seductive East), an excerpt that included a tulip-tattooed penis, a race for freedom, and explosive farting. The reverent crowd, it’s fair to say, was amused.

But Rushdie was at his best during the Q&A, offering witty remarks on his own writing process: “I cannot write in restaurants,” he said, explaining that that’s the sort of thing that poets do. And woe to the poets in the audience, for further remarks on them were both damning and hilarious. The final question of the night — the classic “What advice would you give to aspiring writers?” — provoked some gushing about Zadie Smith (“I met her when she was so young,” he said, “eighteen or nineteen, something pornographic,”), and how he could see her fire immediately, that true writers burn like that. He closed his answer — and the evening — with harsh words: “if you need the advice, don’t write the book.” (Begging the question, can you tell us, Mr. Rushdie, that you yourself never received any advice at the beginning of your career?) The young woman cowered back to her seat.

Listen to the full reading and Q&A session here:

DOWNLOAD: Salman Rushdie, The Enchantress of Florence (Live at Harvard's Memorial Church) [mp3]

 — Sheridan Maguire

  • Matt’s Bookosphere 7/17/2008 « Enter the Octopus said:

    Pingback from  Matt’s Bookosphere 7/17/2008 « Enter the Octopus

    July 17, 2008 9:25 PM
  • Kit said:

    Thanks for the mp3.  

    It was hot there -- someone needs to show the bookstore staff how to open a window.  Why are we modern people stupider than the people who built these nice old buildings (with huge windows)?  Or do we have to suffer because it's art?

    July 18, 2008 9:02 AM
  • JG12 said:

    Thanks for asking the question that the young woman did not ask - "Begging the question, can you tell us, Mr. Rushdie, that you yourself never received any advice at the beginning of your career?" Is that why it took him 12 years to get published?  His comments about the young woman - Zadie Smith made me feel embarrassed for him.  

    His answers were an insight into his character - VERY Arrogant, or atleast needing to convey superiority!  His answers seemed flippant at times.  Was he never curious about someone's craft?  achievements? and the process involved? I think it was just hard to see so many people gushing over him regardless of what he said.

    Needless to say, I didn't see the point of waiting in the line to buy the book nor meet him.

    When I do become successful at my craft, now, i know how not to be!  

    July 18, 2008 11:34 AM

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