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February 20, 2008 5:01:25 PM

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Then again, a lot of things were different about this project, such as an odd demand made by Tame Wairere Iti, an early supporter of Neleman’s project who is featured in three photographs and in the Peabody’s exhibition film. “You can take our picture if you tattoo your nose,” he said.

“Ultimately we became good friends and he came to Holland later,” says Neleman. “I was close to making a mark on my body to commemorate all this, but the time wasn’t right for it. . . . I actually feel more comfortable being an outsider looking in — being a photographer and having a passport for discovery.”

Neleman didn’t get to photograph everybody with moko for his book — many of the famous tattoo artists refused to be photographed because they were working out their issues. “But in the end,” says Neleman, “these people decided this was an important book, so we photographed traditional Maori, the gangs, and different types of folks. There are some modern tattoos shown in the exhibition, but among the traditional Maori they felt it should be more pure. The issue between the traditional Maori and the Rasta and the people in prison is they all want to claim they brought it back. But when it really came forward is when people started marking their faces out of spite, which is probably the traditional way it started.

“It had never died out,” adds Neleman. “There were old ladies with chin tattoos, but this was a silent revolution and a political statement: we are of this land and we’re inspired by our past. That’s what attracted me — not the tattoos — but that a culture is looking to the past to look forward.”


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COMMENTS

I am Maori and very proud of my heritage. I have lived in Boston for twenty years but travel back to New Zealand four to six times a year. I am fortunate in that I have a business with offices in both countries. This is an excellent article that, apart from raising the awareness that, to Maori, the "ta moko" is sacred and has significant spiritual meaning, it also reveals that Maori culture is re-emerging and very much defining a new and distinctive culture - much like a renaissance - that is New Zealand in the 21st Century. For too long New Zealand was depicted mostly as a British Colony, which it was, with largely a "borrowed" British culture. Most New Zealand people when they speak, including Maori, are often mistaken for British. It has been the young Maori, some two and a half centuries later, who have re-discovered the power of their andcestory and brought it to the forefront, in art,theater, film, community,education, politics,and government at home ... and more recently onto the international stage. Maori of the past were a warrior nation. They went to war against the red-coat British Army, like the colonials in America at the arrival of the British, and like America, never surrendered. Peace only came at the signing of a treaty, the Treaty of Waitangi, that led to a one of the few countries where natives and european settlers evolved as a single nation, Maori and Pakeha (white settlers) largely in harmony. And now young Maori are recognizing the power and strength of the customs and culture that their ancestors lived and survived by, and they are finding inspiration in re-discovery and a "re-birth", a renaissance, that is shaping the new New Zealand. There is much to be proud of about this tiny South Pacific country.

POSTED BY Takiau AT 02/22/08 8:00 AM

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