In November, ANNA MYER AND DANCERS bring together modern dancers, a professional violinist, and 15 young local poet rappers in the collaboratively created Street Talk Suite Talk at the Strand Theater in Dorchester (November 1-2; 617.547.9699). NOCHE FLAMENCA, with the great — and increasingly celebrated — Soledad Barrio, comes to Fitchburg State College (November 8; 978.665.3347). On the local front, the newly formed ACCUMULATION DANCE COMPANY presents work at Green Street Studios in Cambridge (November 7-8; 617.864.3191), and BOSOMA performs at Boston University Dance Theatre featuring guest choreography by Adrienne Hawkins and the Challenge, an intricate patterning of choreographic duels (November 7-8; 978.500.3057).
At the ICA, PHILADANCO makes a much-overdue Boston debut with works by African-American choreographers Rennie Harris, Christopher L. Huggins, Milton Myers, and Gene Hill Sagan (November 14-16; 617.876.4275 orwww.worldmusic.org). The same weekend, FOUR CHOREOGRAPHERS AND FOUR COMPOSERS collaborate on new works at the Dance Complex in Cambridge (November 14-15; 617.547.9363 orwww.dancecomplex.org). Boston University’s Dance Theatre Group presents works by students, alumni, and faculty including MICHAEL JAHODA, MARGOT PARSONS, and MICKI TAYLOR-PINNEY at the BU Dance Theater (November 21-22; 617.358.2500).
The 40th-anniversary tour of the LAR LUBOVITCH DANCE COMPANY is expected to bring the restoration of the choreographer’s influential North Star, an early minimalist work set to a score by Philip Glass, alongside the personally revealing Men’s Stories at the Tsai Performance Center (December 12-13; 617.482.6661 orwww.celebrityseries.org). Finally, run, don’t walk to catch Charlie Chaplin’s granddaughter AURÉLIA THIERRÉE in Aurélia’s Oratorio at the Loeb Drama Center, with magical design effects by her mother, Victoria Thierrée Chaplin. A couple of tickets to this one would make a swell holiday present (November 28–December 28; 617.547.8300 orwww.amrep.org).
