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Stone age

By GREG COOK  |  September 16, 2008

The carvings are stylized and radiate a preternatural seriousness. The figures are mostly shown full-body, parading by in profile except for chests and eyes rendered as if observed from the front. Hills are patterns of stacked scales. Rivers are swirling lines with fish and crabs chiseled on top. People seem to be types rather than individuals. They move about landscapes like players on a gameboard rather than back into space. They vary in size depending on their importance rather than their location. And nearly the only women to be seen are among defeated enemies.

The masterpiece of the show is a relief from the 650s BC depicting the battle of Til-Tuba across three stone panels roughly 6.5 feet tall and 17.5 feet wide. Assyrians drive Elamites (from what is now southern Iran) down a hillside and into a river. They chase the Elamite king Teumman and his son after he crashes his chariot, shoot the king with arrows, surround them, bash them with clubs, behead them, and carry the heads off to Assyria for presentation to king Ashurbanipal. It is a scene of chaos littered with tumbling bodies. Vultures peck at corpses.

More modest in their visual appeal but astonishing in their content are numerous small orange clay tablets densely inscribed with cuneiform: a marriage record, a house-sale contract, a spell to drive out a headache-causing demon, a letter advising a king that the sight of the moon at sunrise means the army should attack, a tablet from The Epic of Gilgamesh. Astronomical observations in the writing allow some to be precisely dated — like the letter of May 4, 670 BC, to the ailing king Esarhaddon recommending that he should eat again after three days of fasting. The precise date and the familiar concern grab you from across two and a half millennia.

Layard shipped the ancient relics to the British Museum, assembling the finest collection of Assyrian reliefs outside Iraq. Other institutions, among them Williams College, Amherst College, and Dartmouth College also received carvings. He wrote books about his adventures; these popularized his finds and sparked more than a century of Assyrian excavations. His discoveries seemed to corroborate the literal truth of the Bible, just as new discoveries in geology and biology (Darwin published his theory of “natural selection” in 1859) were beginning to challenge traditional Western understandings.

Then in 1851, at age 34, Layard was done, returning to England to become a politician and diplomat. “We have been fortunate enough to acquire the most convincing and lasting evidence of that magnificence and power, which made Nineveh the wonder of the ancient world, and her fall the theme of the prophets, as the most signal instance of Divine vengeance,” he wrote. “Without the evidence that these monuments afford, we might almost have doubted that the great city ever existed, so completely has she become a desolation and a waste.’”

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election special
ARTICLES BY GREG COOK
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  •   GENERATION GAP  |  September 23, 2008
    "Black Womanhood" at Wellesley College’s Davis Museum and Cultural Center
  •   STONE AGE  |  September 16, 2008
    Assyrians get their war on at the MFA
  •   PHOTOS: BREAD AND PUPPET THEATER  |  August 31, 2008
    Photographs from Bread and Puppet performances in Vermont
  •   THE GADFLY  |  August 28, 2008
    Bread and Puppet Theater founder Peter Schumann is a national treasure. Maybe that’s why George W. Bush wants to bury him.
  •   A HISTORY OF VIOLENCE  |  August 26, 2008
    Ron Pownall’s photos of the ’68 Democratic Convention

 See all articles by: GREG COOK

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