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JON GARELICK

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Road warrior

Erik Friedlander, Lily Pad, July 18, 2007
Plucked cello and the open road may suggest overly earnest guitar folk, but Friedlander’s music is as tough-minded and original as it is elegiac.
By: JON GARELICK  |  July 24, 2007

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Avishai Cohen

After the Big Rain | Anzic
Here’s hoping for a live tour.
By: JON GARELICK  |  July 23, 2007

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Three nights

5LMN2, Revelation at the Beehive, and Geni’s shakuhachi
As usual, there was too much to see in a week that included avant-gardist Burton Greene at one end of the spectrum and crossover darling Diana Krall at the other.
By: JON GARELICK  |  July 17, 2007

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André Previn

Alone | Emarcy
André Previn has been an acclaimed professional jazz musician since he was a teenager.
By: JON GARELICK  |  July 10, 2007

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Little band with a big sound

Gypsy Schaeffer’s formal ingenuity, plus Berklee’s Jazz Revelation Records
Throughout my notes on the Boston quartet Gypsy Schaeffer, I’ve written “great tune.”
By: JON GARELICK  |  July 03, 2007

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Wily Scot

Billy Connolly slays 'em at the Loeb
When Billy Connolly checked the time after nearly two hours of performance and said, “I could go on for days,” he was met with cheers and applause.
By: JON GARELICK  |  June 19, 2007



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Omar Sosa

Promise | Otá
What we get on his latest outing is more often Miles’d-up trancy electric Afropop than what you might think of as Afro-Cuban jazz.
By: JON GARELICK  |  June 12, 2007

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Pretty and slow

Keren Ann, Somerville Theatre, June 2, 2007
It’s difficult to say what we gained by seeing Keren Ann live at the Somerville Theatre last Saturday night as opposed to listening to her on record.
By: JON GARELICK  |  June 04, 2007

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Matt Wilson's Arts and Crafts

The Scenic Route | Palmetto
Drummer Wilson could borrow a title from his old boss Russ Gershon’s Either/Orchestra: neo-modernism.
By: JON GARELICK  |  January 28, 2010

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Ornette Coleman

Sound Grammar | Sound Grammar
Has Ornette’s alto sax ever sounded purer and more lovely?
By: JON GARELICK  |  January 28, 2010
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