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FallGuide2009

Definitely, Maybe

Agonizingly boring
By BROOKE HOLGERSON  |  February 15, 2008
1.5 1.5 Stars
DEFINITELYINSIDE
Abigail Breslin and Ryan Reynolds

Ryan Reynolds has a certain smarmy charm when called upon to play douchebag types, but sincerity is not his strong point — it turns to blandness. He’s agonizingly boring in this tepid romantic comedy by director Adam Brooks, playing an about-to-be-divorced dad whose annoying daughter (Abigail Breslin, ubiquitous since Little Miss Sunshine) wants to hear the “real” story of how her parents met. The romance is told in flashbacks full of jokes about the early 1990s. A guy’s cellphone is huge, he’s never heard of Nirvana — it’s hilarious stuff. Reynolds’s character has relationships with three women played by a slumming Rachel Weisz, a peppy Isla Fisher, and a sweet Elizabeth Banks, and his daughter has to figure out which one is her mother. You’d have to be a pretty dumb kid not to recognize your own mother, but this is a pretty dumb movie.
105 minutes | Boston Common + Fenway + Fresh Pond + Circle + suburbs
Related: Review: Zombieland, The Ultimate Gift, Kit Kittredge: An American Girl, More more >
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ARTICLES BY BROOKE HOLGERSON
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  •   REVIEW: PAUL BLART: MALL COP  |  January 20, 2009
    If you find the sight of a grown man rolling around the mall on a Segway hilarious, this is the movie for you.
  •   TYLER PERRY’S THE FAMILY THAT PREYS  |  September 17, 2008
    The prolific Tyler Perry is at it again, offering subpar entertainment to audiences so starved for sustenance they’ll eat his cheese.
  •   THE ROCKER  |  August 20, 2008
    Rainn Wilson of The Office gets promoted to the big screen with this anemic comedy directed by The Full Monty helmer Peter Cattaneo.
  •   KIT KITTREDGE: AN AMERICAN GIRL  |  July 01, 2008
    Although her film has as much visual flair as an after-school special, director Patricia Rozema gives an appealing attention to period detail, and Breslin is sweet in her first starring role.
  •   REPRISE  |  May 21, 2008
    Trier captures the moment when the recklessness of youth gives way to adult responsibilities, and the way childhood friendships can fall apart when different paths are taken.

 See all articles by: BROOKE HOLGERSON

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